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" peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice,... "
The plays of William Shakspeare, pr. from the text of the corrected copies ... - Страница 314
по William Shakespeare - 1823
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The Klingon Hamlet

Lawrence Schoen - 2001 - 240 страници
...Elsinore. Rosencrantz Good my lord! [Exeunt ROSENCRANTZ and GUILDENSTERN] Hamlet Ay, so, God be wi' ye! Now I am alone. O, what a rogue and peasant slave...his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With...
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Guilty Creatures : Renaissance Poetry and the Ethics of Authorship ...

Dennis Kezar Assistant Professor of English Vanderbilt University - 2001 - 280 страници
...with almost clinical interest the "monstrous" rehearsal of an apparently delusional speech-act theory: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for...
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Hamlet: The Tragedie of Hamlet, Prince of Denmarke : the First Folio of 1623 ...

William Shakespeare - 2001 - 261 страници
...lord. [Exeunt ROSINCRANCE and GUILDENSTERN] Hamlet Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect,...
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The Wisdom of Shakespeare

William Shakespeare, Joyce E. Henry - 2002 - 228 страници
...that's villanous, and shows a most pitiful ambition in the fool that uses it. Hamlet— Hamlet III.ii O, what a rogue and peasant slave am I! Is it not...his visage wann'd, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for...
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The Arden Shakespeare Complete Works

William Shakespeare - 1998 - 1344 страници
...Good my lord. Exeunt Rosencrantz and Guildenstern. HAMLET Ay, so, God buy to you. Now I am alone. 550 O what a rogue and peasant slave am I! Is it not monstrous...his visage wann'd, Tears in his eyes, distraction in his aspect, 555 A broken voice, and his whole function suiting With forms to his conceit? And all...
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Dreams of the Burning Child: Sacrificial Sons and the Father's Witness

David Lee Miller - 2003 - 272 страници
...go backward." Later in the same scene Hamlet marvels at the transformative powers of make-believe: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for...
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - 2003 - 313 страници
...Guildenstern.] Ham. Ay, so, God buy ye. — Now I am alone. O, what a rogue and peasant slave am I! 576 Is it not monstrous that this player here, But in...conceit That from her working all his visage [wann'd], 580 Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With...
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Looking for Spinoza: Joy, Sorrow, and the Feeling Brain

Antonio R. Damasio - 2003 - 355 страници
...wonder at the player's capability of conjuring up emotion in spite of having no personal cause for it. "Is it not monstrous that this player here, but in...own conceit, that from her working all his visage waned, tears in his eyes, distraction in his aspect, a broken voice, and his whole form suiting with...
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Rhetoric and Renaissance Culture

Heinrich F. Plett - 2004 - 581 страници
...After the rehearsal has taken place, Hamlet explains why the first player's performance was so perfect: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for...
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Theatre and Entertainment

Kathy Elgin - 2005 - 32 страници
...in this way. In the floor of the stage was a trap-door, through which devils or ghosts could appear. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale ft...
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