 | William Shakespeare - 2001 - 304 страници
...lord. [Exeunt ROSINCRANCE and GUILDENSTERN] Hamlet Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect,... | |
 | William Shakespeare - 2002 - 244 страници
...that's villanous, and shows a most pitiful ambition in the fool that uses it. Hamlet— Hamlet III.ii O, what a rogue and peasant slave am I! Is it not...his visage wann'd, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for... | |
 | David Lee Miller - 2003 - 268 страници
...go backward." Later in the same scene Hamlet marvels at the transformative powers of make-believe: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for... | |
 | K. H. Anthol - 2003 - 344 страници
...Guildenstern.] Ham. Ay, so, God buy ye. — Now I am alone. O, what a rogue and peasant slave am I! 576 Is it not monstrous that this player here, But in...conceit That from her working all his visage [wann'd], 580 Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With... | |
 | Antonio R. Damasio - 2003 - 372 страници
...wonder at the player's capability of conjuring up emotion in spite of having no personal cause for it. "Is it not monstrous that this player here, but in...own conceit, that from her working all his visage waned, tears in his eyes, distraction in his aspect, a broken voice, and his whole form suiting with... | |
 | Heinrich F. Plett - 2004 - 600 страници
...After the rehearsal has taken place, Hamlet explains why the first player's performance was so perfect: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for... | |
 | Kathy Elgin - 2005 - 40 страници
...in this way. In the floor of the stage was a trap-door, through which devils or ghosts could appear. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale ft... | |
 | Alan Shepard, Stephen David Powell Powell - 2004 - 324 страници
...gaze when he has Hamlet, after one of the players recites a speech for him, play the drama critic: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in 's aspect,... | |
 | John Gibson, Wolfgang Huemer - 2004 - 372 страници
...struck by the discrepancy between the mere artor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working a1l his visage wanned, Tears in his eyes, distrartion in 's aspect,... | |
 | William Shakespeare - 2005 - 900 страници
...are welcome to Elsinore. 530 ROSENC'Z Good my lord. [they take their leave HAMLET Ay, so, God bye to you! Now I am alone. O, what a rogue and peasant slave...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
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peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice,... 
