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" peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice,... "
The plays of William Shakspeare, pr. from the text of the corrected copies ... - Страница 314
по William Shakespeare - 1823
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New Sites for Shakespeare: Theatre, the Audience, and Asia

John Russell Brown - 1999 - 211 страници
...remain so. At times Hamlet speaks directly ahout acting and, in soliloquy, is ohjectively descriptive: Is it not monstrous that this player here, But in...wann'd; Tears in his eyes, distraction in's aspect, A hroken voice, and his whole function suiting With forms to his conceit? (II. H. 544-50) Of course,...
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Hamlet

William Shakespeare - 1999 - 296 страници
...FJsinore. ROSENCRANTZ Good my lord. 500 Exeunt Rosencrantz and Guildenstern HAMLET Ay so, God bye to you. Now I am alone. O what a rogue and peasant slave...passion, Could force his soul so to his own conceit 505 That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken...
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Crying: The Natural and Cultural History of Tears

Tom Lutz - 2001 - 352 страници
...dramatic art and the riddle of human empathy as well, in one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous...soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function...
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New Sites for Shakespeare: Theatre, the Audience, and Asia

John Russell Brown - 1999 - 211 страници
...remain so. At times Hamlet speaks directlv about acting and, in soliloquy, is objectively descriptive: Is it not monstrous that this player here, But in...from her working all his visage wann'd; Tears in his eves, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit?...
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Marcus is Walking

Joan Ackermann - 1999 - 53 страници
...a slice of pizza in it is on the passenger seat. GABE. Now I am alone. O, what a rogue and pleasant slave am I! Is it not monstrous that this player here,...his own conceit That from her working all his visage waned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - 1999 - 358 страници
...term the emotional sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, age which revelled in the potentialities and varieties...
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - 1999 - 358 страници
...term the emotional sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, age which revelled in the potentialities and varieties...
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Bound to Act: Models of Action, Dramas of Inaction

Valeria Wagner - 1999 - 275 страници
...the speech, in which Hamlet wonders at the First Player's ability to play his part so convincingly: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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The Cue for Passion: Grief and Its Political Uses

Gail Holst-Warhaft - 2000 - 228 страници
...Afterthoughts 198 Notes 203 References 213 Index 225 The Cue for Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for...
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The Artist on the Artist

Harry Guest - 2000 - 462 страници
...dead father in her son's view, but poetry nonetheless. Words. Words dealing with an imaginary fate. Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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