 It is not to be considered as the effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls upon Arethuse and Mincius, nor tells of rough satyrs and fauns...  The Works of Samuel Johnson, LL. D. - Страница 144по Samuel Johnson, Arthur Murphy - 1820Пълен достъп - Информация за книгата
 | William Edward Mead, Wilbur Fisk Gordy - 1900 - 408 страници
...effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls...Arethuse and Mincius, nor tells of rough satyrs and 'fawns with cloven heel.' Where there is leisure for fiction there is little truth." 1 (Argument?)... | |
 | Samuel Johnson, John Wight Duff - 1900 - 318 страници
...remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls In this poem there is no nature, for there is no truth; there is ng^ art,Jbr there__js nothing new. Its form is that of a pastoral, — easy, vulgar, and therefore... | |
 | John Milton - 1924 - 232 страници
...effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls...Arethuse and Mincius, nor tells of rough 'satyrs' and ' fawns with cloven heel.' Where there is leisure for fiction, there is little grief." But this criticism... | |
 | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1901 - 662 страници
...already felt. Johnson, as even Professor Raleigh has to admit, was a little hard upon ' Lycidas.' ' In this poem, there is no nature, for there is no truth. . . . Nothing can less display knowledge, or less exercise invention, than to tell how a shepherd has... | |
 | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero - 1901 - 678 страници
...already felt. Johnson, as even Professor Raleigh has to admit, was a little hard upon ' Lycidas.' ' In this poem, there is no nature, for there is no truth. . . . Nothing can less display knowledge, or less exercise invention, than to tell how a shepherd has... | |
 | John Milton - 1902 - 124 страници
...effusion of real passion, for passion runs not after remote allusions afid obscure ^pinions. Passion plucks no berries from the myrtle and ivy, nor calls...of rough satyrs and fauns with cloven heel. Where _there is leisure for fiction there is little grief. F " In this poem there is no nature, for there... | |
 | Franklin Verzelius Newton Painter - 1903 - 218 страници
...allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls upon Arthur and Mincius, nor tells of rough satyrs and " fauns...there' is leisure for fiction, there is little grief. SAMUEL JOHNSON. EMERSON And, in truth, one of the legitimate poets Emerson, in my opinion, is not.... | |
 | Mary Augusta Jordan - 1904 - 264 страници
...allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls upon Arthur and Mincius, nor tells of rough satyrs and fauns with...there is leisure for fiction, there is little grief." This prejudice was voiced dramatically by Shakespeare in Antony's assertion that he was no orator but... | |
 | Samuel Johnson - 1905 - 530 страници
...effusion of real passion ; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls...tells of ' rough satyrs and fauns with cloven heel V ' Where there is leisure for fiction there is little grief4.'In this poem there is no nature, for... | |
 | Samuel Johnson - 1907 - 172 страници
...effusion of real passion; for passion runs not after remote allusions and obscure opinions. Passion plucks no berries from the myrtle and ivy, nor calls...Arethuse and Mincius, nor tells of rough ' satyrs' and 25 ' fauns with cloven heel.' Where there is leisure for fiction, there is little grief. In this poem... | |
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