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" ... a perspective glass. When you shut the doors of this grotto it becomes on the instant, from a luminous room, a Camera obscura, on the walls of which all the objects of the river, hills, woods and boats are forming a moving picture in their visible... "
Mr. Pope's Literary Correspondence for Thirty Years; from 1704 to 1734 ... - Страница 176
по Alexander Pope - 1735 - 439 страници
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Littell's Living Age, Том 65

1860 - 964 страници
...grotto, it becomes on the instant, from a laminóos room, а camera obscura ; on the walls of which all objects of the river, hills, woods, and boats, are forming a moving picture in their visible* mdiations : and when you have a mind to light up, it affords you a very different scene :...

The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century

H. B. Nisbet, Claude Rawson - 2005 - 978 страници
...Brownell notes, citing Pope's own account, the grotto was designed 'to function as a camera obscura "on the Walls of which all the objects of the River,...Woods, and Boats, are forming a moving Picture in their visible Radiations"'.60 Describing the 'very extraordinary Effect' of the 'profusion of Mirrors', Gilpin...
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Reflecting Senses: Perception and Appearance in Literature, Culture, and the ...

Walter Pape, Frederick Burwick - 1995 - 380 страници
...you shut the doors of this grotto it becomes on the instant, from a luminous room, a camera obscura, on the walls of which all the objects of the river,...woods, and boats, are forming a moving picture in their visible radiations; and when you have a mind to light it up, it affords you a very different scene."...
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The Triumph of Augustan Poetics: English Literary Culture from Butler to Johnson

Blanford Parker - 1998 - 282 страници
...shoot the Doors of this Grotto, it becomes on the instant, from a luminous Room, a Camera Obscura; on the Walls of which all the objects of the River,...Woods and Boats, are forming a moving Picture in their visible Radiations: And when you have a mind to light it up, it affords you a very different Scene:...
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What Gardens Mean

Stephanie Ross - 2001 - 304 страници
...Library,Yale University. tioned like a camera obscura once its doors were shut: "on the Walls . . . the River, Hills, Woods, and Boats, are forming a moving Picture in their visible Radiations." 31 Grottos are associated with creativity and contemplation. Inhabited by nymphs,...
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The Frame of Art: Fictions of Aesthetic Experience, 1750–1815

David Marshall - 2005 - 284 страници
...Object is multiplied."41 According to Pope, the grotto was designed "to function as a camera obscura on the Walls of which all the objects of the River,...Woods, and Boats, are forming a moving Picture in their visible Radiations."42 Describing the "very extraordinary Effect" of the "profusion of Mirrors," in...
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Künstliche Paradiese: vom Barocktheater zum Filmpalast

Florian Nelle - 2005 - 366 страници
...the Grotto, it becomes on the instant, from a luminous room, a camera obscura; on the walls of which the objects of the River, Hills, Woods, and Boats, are forming a moving Picture in their visible Radiations: And when you have a mind to light it up, it affords you a very different Scene;...
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Der Landschaftsgarten als Lebensmodell: zur Symbolik der "Gartenrevolution ...

Ana-Stanca Tabarasi - 2007 - 516 страници
...the Grotto, it becomes in an instant, from a luminous room, a Camera obscura; on the Walls of which the objects of the River, Hills, Woods, and Boats, are forming a moving Picture in their visible Radiations. And when you have a mind to light it up, it affords you a very different scene;...
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Fraser's Magazine for Town and Country, Том 32

James Anthony Froude, John Tulloch - 1845 - 792 страници
...passing and vanishing; or shutting the doors, and so converting it into what he called a luminous room, on the walls of which all the objects of the river, hills, woods, and boats, formed a moving picture ; or lighting his alabaster lamp suspended from the ceiling, which struck out...

Fraser's Magazine, Том 32

1845 - 778 страници
...passing and vanishing; or shutting the doors, and so converting it into what he called a luminous room, on the walls of which all the objects of the river, hills, woods, and boats, formed a moving picture ; or lighting his alabaster lamp suspended from the ceiling, which struck out...




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