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" Great wits sometimes may gloriously offend, And rise to faults true critics dare not mend; From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which, without passing thro' the judgment, gains The heart, and all its... "
Miscellaneous Poems and Translations - Страница 42
под редакцията на - 1722 - 288 страници
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The Poetical Works of Alexander Pope: With Memoir, Critical ..., Том 1

Alexander Pope, George Gilfillan - 1856 - 356 страници
...iso May boldly deviate from the common track ; Great wits sometimes may gloriously offend. And rise to faults true critics dare not mend, From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which, without passing through the judgment,...

The Works of Alexander Pope ...

Alexander Pope - 1856 - 512 страници
...end,) Such lucky license answer to the full The intent proposed, that license is a rule. Thus Pegasus, a nearer way to take, May boldly deviate from the common track. From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, WThich, without...

The Poetical Works of Alexander Pope: With a Life, Том 2

Alexander Pope - 1859 - 330 страници
...end) Some lucky license answer to the full Th' intent propos'd, that license is a rule. Thus Pegasus, a nearer way to take, May boldly deviate from the common track. Great wits sometimes may gloriously offend, And rise to faults true critics dare not mend ; From vulgar bounds...

A Rhyming, Spelling, and Pronouncing Dictionary of the English Language in ...

John Walker - 1859 - 720 страници
...seen in the Pronouncing Dictionary. Allowable rhymes, bake, lake, &c., neck, speck, &c. Thus Pegasus, a nearer way to take, May boldly deviate from the common track. — PoPE. • ACT. hack'd. &c. Allowable rhymes, the preterits and participles of verbs in ake, as...

Gleanings from the English poets, Chaucer to Tennyson, with biogr. notices ...

English poets - 1862 - 626 страници
...end) Some lucky license answer to*the full The intent proposed, that license is a rule. Thus Pegasus, a nearer way to take, May boldly deviate from the common track. Great wits sometimes may gloriously offend, And rise to faults true critics dare not mend ; From vulgar bounds...

Erscheinungsformen kultureller Prozesse: Jahrbuch 1988 des ...

Wolfgang Raible - 1990 - 354 страници
...Imagination und Leidenschaft oft wichtiger als Vernunft und Common Sense. Pope formulierte: Thus Pegasus, a nearer way to take, May boldly deviate from the common Track. Great Wits Mimetimes may gloriousfy äffend, And risc to l-'aults t nie Criticks dare not mend; 222 From vulgär...
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Poethics, and Other Strategies of Law and Literature

Richard H. Weisberg - 1992 - 344 страници
...End) Some Lucky LICENCE answers to the full Th'Intent propos'd, that Licence is a Rule. Thus Pegasus, a nearer way to take, May boldly deviate from the common Track. Great Wits sometimes may gloriously offend, And rise to Faults true Criticks dare not mend; From vulgar Bounds...
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1172 страници
...Learn hence for ancient rules a just esteem; To copy Nature is to copy them. (Fr. I) 30 Thus Pegasus, iTA; LiTM; MoAB; MoAmPo; NAAL-2; OAEL-2; OBMV Journey of the Ma From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without...
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The Author, Art, and the Market: Rereading the History of Aesthetics

Martha Woodmansee - 1994 - 224 страници
...end) Some lucky license answer to the full Th'intent proposed, that license is a rule. Thus Pegasus, a nearer way to take, May boldly deviate from the common track. Great wits sometimes may gloriously offend, And rise to faults true critics dare not mend; From vulgar bounds...
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The Enlightenment: An Interpretation. The science of freedom

Peter Gay - 1996 - 756 страници
...1758). Correspondence, II, 96-7. Italics mine. 5 "Great wits sometimes may gloriously offend, / And rise to faults true critics dare not mend; / From vulgar bounds with brave disorder part, / And snatch a grace beyond the reach of art. . . ." Essay on Criticism, I, 152-5. Reynolds,...
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