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" The drama's laws, the drama's patrons give, For we that live to please, must please to live. "
A Collection of Poems in Six Volumes. By Several Hands: With Notes - Страница 213
1782
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The Christian Observer, Том 30

1831 - 864 страници
...day. Ah ! let not censure term our fate our choice, The stage but echoes back the public's voice ; The drama's laws the drama's patrons give, For we that live to please must please to live. Were I to venture on a parody, I might convert Dr. Johnson's acknowledgment...

The Poet and His Audience

Ian Jack - 1984 - 214 страници
...romantic than they know. They should recall Samuel Johnson's pithy comment on the history of drama The Drama's Laws the Drama's Patrons give. For we that live to please, must please to live3 — and reflect that the history of European music, painting and sculpture...
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Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America

Lawrence W. Levine - 1990 - 324 страници
...when on the stage." Here was literal proof of the continued validity of Samuel Johnson's prologue: The drama's laws, the drama's patrons give, For we that live to please, must please to live. 'The public," an American critic agreed in 1805, "in the final resort,...
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The Concise Columbia Dictionary of Quotations

Robert Andrews - 1989 - 414 страници
...tragedies are finish'd by death, all comedies are ended by a marriage. Lord Byron (1788-1824) English poet The drama's laws, the drama's patrons give, For we that live to please, must please to live. Dr. Samuel Johnson (1709-1784) English author, lexicographer A first night...
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Shakespeare in His Context: The Constellated Globe

Muriel Clara Bradbrook - 1989 - 238 страници
...Johnson's words for the opening of the New Theatre in Drury Lane, 1747 by Garrick, may apply today The Drama's Laws the Drama's Patrons give, For we that live to please, must please to live or in the blunter form that Garrick used in his own 'Occasional Prologue'...
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The Plays of Henry Fielding: A Critical Study of His Dramatic Career

Albert J. Rivero - 1989 - 198 страници
...with its audience. Gibber's pragmatic defense of his dramatic procedures — his version of Johnson's "The Drama's Laws the Drama's Patrons give,/ For we that live to please, must please to live"15 — is a shrewd one; it allows him to deplore the declining taste of...
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Northrop Frye in Conversation

Northrop Frye, David Cayley - 1992 - 244 страници
...time? FRYE: In the eighteenth century there was a great deal of feeling that, as Samuel Johnson says, 'The drama's laws, the drama's patrons give, / For we that live to please, must please to live."126 Well, that is true, but with other people, like Addison, for example,...
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1172 страници
...Must watch the wild Vicissitudes of Taste; (1. 47—48) 9 The Stage but echoes back the publick Voice. . 96-98) 89 No! I am not Prince please, must please to live. (1. 52-54) EBEV; NAEL-1; NOEC; NoP A Short Song of Congratulation 10 Long-expected...
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The Cambridge Illustrated History of British Theatre

Simon Trussler - 2000 - 420 страници
...the first night of Garrick's management at Drury Lane that Samuel Johnson famously coined the dictum: The drama's laws the drama's patrons give, /For we that live to please, must please to live.' Ironically, Johnsons own single dramatic effort, the tragedy Irene (1749),...
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Melodramatic Tactics: Theatricalized Dissent in the English Marketplace ...

Elaine Hadley - 1995 - 326 страници
...been most famously described by Samuel Johnson in 1747: The Stage but echoes back the public voice, The drama's laws the drama's patrons give, For we that live to please, must please to live.2 The chiasmatic balance of Johnson's phrasing and the rhyming ease of...
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