 | George Smith, William Makepeace Thackeray - 1874 - 818 страници
...the keenest description, and many of his lyrics bear testimony to the truth of his averment that Most men Are cradled into poetry by wrong ; They learn in suffering what they teach in song. One cannot help thinking that Shelley's natural place in the world would be that of a spiritualized... | |
 | Jerome J. McGann - 1985 - 182 страници
...Romantic ideology. This is what Shelley's famous passage on the nature of Romantic experience means: Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. ("Julian and Maddalo," 544-6) Shelley's presentation of the tensions and contradictions which typify... | |
 | Klaus Peter Müller - 1993 - 560 страници
...Rebellion schreibe, aber nichts tue. Brenton legt Byron Verse aus Shelleys Julian and Maddalo in den Mund: "Most wretched men/ Are cradled into poetry by wrong,/...They learn in suffering what they teach in song." Howard glaubt, Byron/Shelley sagen, daß Ungerechtigkeit und Inhumanität die 'meisten unglücklichen... | |
 | Percy Bysshe Shelley - 1994 - 752 страници
...Such as in measure were called poetry; And 1 remember one remark which then Maddalo made. He said: 'Most wretched men Are cradled into poetry by wrong:...They learn in suffering what they teach in song.' If I had been an unconnected man, I, from this moment, should have formed some plan Never to leave... | |
 | Kay Redfield Jamison - 1996 - 388 страници
...Such as in measure were called poetry; And I remember one remark which then Maddalo made. He said: "Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. "40 Keats agreed. "Do you not see how necessary a World of Pains and troubles is to school an Intelligence... | |
 | Warren Stevenson - 1996 - 166 страници
...only others would do likewise. Byron-Maddalo sees the madman as a sort of poet manqu6: [Maddalo] said: 'Most wretched men Are cradled into poetry by wrong,...They learn in suffering what they teach in song.' (544-56) Julian-Shelley remarks upon the "deep tenderness" that the maniac has wrought within him.... | |
 | Robert F. Gleckner, Robert Gleckner, Bernard G. Beatty - 1997 - 426 страници
...and Shelley's Count Maddalo (Byron) indicates the psychological aspect of it when he tells Julian: Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. (Julian and Maddalo, 11. 544-46) For Byron, this myth is epitomized in the repeated 'falls' which centre... | |
 | Archie Weller - 1999 - 400 страници
...fire, Red Mond Star Light calls out for another song, for the youth seems enraptured by his poetry. 253 Most wretched men Are cradled into poetry by wrong; They learn in suffering what they teach in song, the old man begins in ominous tones. She is reminded of the better storytellers of her home when they... | |
 | Thomas R. Whitaker - 1999 - 332 страници
...gives voice to the madman. And when Bysshe utters the words left in Julian's mind by Count Maddalo — Most wretched men Are cradled into poetry by wrong. They learn in suffering what they teach m song ("Julian and Maddalo" II. N44-4-'i) — we hear behind them a mad laughter that is also Byron's.... | |
 | James G. Hepburn - 2000 - 302 страници
...nineteenth century in England Take physic, pomp; Expose thyself to feel what wretches feel. — Shakespeare Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. —Shelley On summer nights — such nights as these — We're troubled very much with fleas. They... | |
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Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. 
