| Eugen Kölbing, Johannes Hoops, Reinald Hoops - 1915 - 504 страници
...notes here again comes from Sir Philip Sidney. In bis Apology 5), poetry is "an art of imitation, . . . to speak metaphorically, a speaking picture; with this end, to teach and delight" '. The italics are mine. Spenser6) gives evidence of the contemporary demand, for pleasure in art äs... | |
| Charles William Eliot - 1910 - 442 страници
...v Poesy, therefore, is an art of imitation, for so Aristotle • termeth it in his word pt/iyffts, that is to say, a representing, - counterfeiting,...in his Psalms; Solomon in his Song of Songs, in his Ecclesiastcs and Proverbs; Moses and Deborah in their Hymns; and the writer of Job; which, beside other,... | |
| George Alexander Kennedy, Glyn P. Norton - 1989 - 790 страници
...claim that poetry is essentially 'an art of imitation, for so Aristotle termeth it in his word mimesis, that is to say a representing, counterfeiting, or...figuring forth - to speak metaphorically, a speaking picture',4 while nevertheless wholly repressing any mention of painting as such. It also explains how... | |
| Clark Hulse - 1990 - 244 страници
...painting.17 The golden world of the poets is a "rich tapestry." Poetry as an art of imitation is "mimesis, that is to say, a representing, counterfeiting, or...metaphorically, a speaking picture with this end, to teach and delight."'8 This aesthetic shift is not simply the exchange of one set of rules for another. The Defence... | |
| Eva T. H. Brann - 1991 - 828 страници
...as a maker of new and revealing worlds. And later Sidney, though he still defines poetry as mimesis, "a representing, counterfeiting, or figuring forth — to speak metaphorically, a speaking picture . . . ," places great emphasis on the Aristotelian notion that poetry improves on nature. He proudly... | |
| Per Winther - 1992 - 236 страници
...most likely source: "Poesy... is an art of imitation, for so Aristotle termeth it in the word mimesis, that is to say, a representing, counterfeiting, or...speaking picture; with this end, to teach and delight" (414). Samuel Johnson's famously clipped admonition in "Preface to Shakespeare" states the instrumentalist... | |
| S. P. Cerasano, Marion Wynne-Davies - 1992 - 260 страници
...7-40. 17. In An Apology for Poetry, Sidney, of course, defines poetry as 'an art of imitation . . . that is to say, a representing, counterfeiting, or...speaking picture - with this end, to teach and delight', and offers many examples of 'the speaking picture of poesy' (An Apology for Poetry, ed. Forrest G.... | |
| Patrick Mannix - 1992 - 200 страници
...termeth it in the word mimesis, that is to say a representing, counterfeiting, or figuring forth—to speak metaphorically, a speaking picture, with this end, to teach and delight." 3 Whatever the immediate end of poetry may be, he adds, "The final end is to lead and draw us to as... | |
| Marvin A. Carlson - 1993 - 564 страници
...England. His definition of poetry draws upon both Horace and Aristotle: it is an "art of imitation . . . that is to say, a representing, counterfeiting, or...a speaking picture, with this end — to teach and delight."21 Sidney's idea of imitation transcends the phenomena of nature; the poet makes manifest... | |
| Heinrich F. Plett - 1994 - 460 страници
...Dichtung: Poesy therefore is an art of imitation, for so Aristotle termeth it in his word mimesis, that is to say, a representing, counterfeiting, or...metaphorically, a speaking picture - with this end, to teach and delight.31 Während das Mimesis-Konzept von Aristoteles und das Wirkziel des "teach and delight" von... | |
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