...concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than...manner to the matter; and our admiration of the poet to our sympathy with the poetry. (Coleridge 1907, vol. 2, 12) The magic of imagination compensates for...

...concrete; the idea, with the image; the individual with the representative; the sense of novelty and freshness, with old and familiar objects; a more than...than usual order; judgement ever awake and steady self- possession, with enthusiasm and feeling profound or vehement; and while it blends and harmonizes...

...concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than...usual state of emotion, with more than usual order; judgment ever awake and steady self-possession, with enthusiasm and feeling profound or vehement."...

...in 'the balance or reconciliation of opposite or discordant qualities', and especially in combining 'a more than usual state of emotion with more than usual order'. Such a combination is achieved in the Bacchae. 1 52 spoken lines are so divided in the Orestes, 36...

...25) Calling for "a new seriousness" in poetry which, "like Coleridge's Imagination, would reconcile 'a more than usual state of emotion with more than usual order'" (New Poetry 28, 32), Alvarez concludes: My own feeling is that a good deal of poetic talent exists...

...particular; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than...vehement; and while it blends and harmonizes the natural with the artificial, still subordinates art to nature; the manner to the matter; and our admiration...

...imagination "reveals itself in the balance or reconciliation of opposite or discordant qualities ... a more than usual state of emotion, with more than...with enthusiasm and feeling profound or vehement" (Biographia 1:12). Therefore it cannot be understood as a faculty of the mind, as Bate, for example,...

...with old and familiar objects; a more than usual stare of emotion, with more than usual order . . . and while it blends and harmonizes the natural and the artificial, still subordinates art to natore. Notes 1 . I am grateful for help and advice from Alan Purves and Hugh Petrie. 2. M. Breal,...

...concrete; the idea with the image; the individual with the representative; the sense of novelty and freshness with old and familiar objects; a more than...manner to the matter; and our admiration of the poet to our sympathy with the poetry. Like Tolkien, Coleridge tries to distinguish a primary and secondary...

...concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than...usual state of emotion, with more than usual order'. (Brooks [1942] 1972: 300-301) In this emphasis on paradox - a statement containing contradictory aspects...