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" Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit/ and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her... "
The plays of william shakespeare. - Страница 202
по William Shakespeare - 1765
Пълен достъп - Информация за книгата

The Plays of William Shakespeare: Accurately Printed from the Text ..., Том 10

William Shakespeare - 1803
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing ! For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the motive and the cue for passion, That I have ? He...

The Plays of William Shakespeare, Том 8

William Shakespeare - 1804
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion, That I have? He would...

The Saunterer: A Periodical Paper ...

Hewson CLARKE - 1805 - 300 страници
...His expreffion of the word father was pathetic and beautiful. The delivery of the fpeech,— " What's Hecuba to him, or he to Hecuba, " That he fhould weep...for her ? What would he do " Had he the motive and the cue for paffion " That I have 1" was inimitable. His bofom feemed to be labouring with unutterable...

The Plays of William Shakespeare : Accurately Printed from the Text ..., Том 10

William Shakespeare - 1805
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing ! For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion,8 That I have ? He...

The Plays of William Shakespeare: Accurately Printed from the Text of ..., Том 9

William Shakespeare - 1805
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the motive and the cue for passion/ That I have ? He...

The Saunterer: A Periodical Paper ...

Hewson CLARKE - 1805 - 300 страници
...beautiful. The delivery of the fpeech, — " What's Heculla to him, or he to Hecuba, " That he Ihould weep for her ? What would he do " Had he the motive and the cue for paflion «« That I have ?" Was inimitable. His bofom feemed to be labouring with unutterable...

The Plays of William Shakespeare: With Notes of Various Commentators, Брой 14

William Shakespeare - 1806
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the motive and the cue for passion, That I have ? He...

The Dramatic Works of William Shakespeare: With Explanatory Notes. To ..., Том 2

William Shakespeare, Samuel Ayscough - 1807
...conceit ? And all for nothing ! For Hecuba ! \Vhat 's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the motive and the cue ' for passion, That 1 have ? He would drow n the stage w il h tears. And cleave the general...

The Port Folio

1809
...in his eyes, distraction in his aspect, A broken voice, and his whole functions suiting, With forms to his conceit, and all for nothing, For Hecuba. What's Hecuba to him, or he to Hecuba, That he should weep for her !" In the second class, I place the actor of taste, of study, and reflection, who...

The Port folio, by Oliver Oldschool, Том 1

1809
...in his eyes, distraction in his aspect, A broken voice, and his whole functions suiting', With forms to his conceit, and all for nothing. For Hecuba. What's Hecuba to him, or he to Hecuba, That he should weep for her !" In the second class, I place the actor of taste, of study, and reflection, who...




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