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" ... (before) you were abused with diverse stolen and surreptitious copies, maimed and deformed by the frauds and stealths of injurious impostors that exposed them: even those are now offered to your view cured, and perfect of their limbs ; and all the... "
The English of Shakespeare: Illustrated in a Philological Commentary on His ... - Страница 11
по George Lillie Craik - 1857 - 352 страници
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Henry IV, Part 1: The First Part of Henry the Fourth : the First Folio of ...

William Shakespeare - 2004 - 222 страници
...surreptitious copies, maimed and deformed by the frauds and stealths of injurious impostors that exposed them: even those are now offered to your view, cured...rest, absolute in their numbers, as he conceived them. Of the 36 plays included in the First Folio, around half had never been printed before. These range...
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The Shakespeare Claimants: A Critical Survey of the Four Principal Theories ...

H. N. Gibson - 2005 - 320 страници
...deform'd by the frauds and stealths of injurious imposters, that exposed them, even those are now offer'd to your view cured and perfect of their limbs, and all the rest absolute in their numbers as he (Shakspere) conceived them; who, as he was a happy imitator of Nature, was a most gentle expressor...
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Why Shakespeare: An Introduction to the Playwright's Art

G. M. Pinciss - 2005 - 192 страници
...and Condell in their preface claim that even those texts that were "maimed and deformed" now appear "cured and perfect of their limbs, and all the rest...absolute in their numbers, as he conceived them." The Folio does include Henry VIII, which Shakespeare wrote with John Fletcher, but it does not contain...
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Shakespeare's Friends

Kate Pogue - 2006 - 183 страници
...replace the corrupt quartos formerly published: frauds and stealths of injurious impostors, that exposed them; even those, are now offered to your view cured,...rest, absolute in their numbers, as he conceived them. "Absolute in their numbers" suggests that they felt Pericles was not clearly enough Shakespeare's own...
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From Playhouse to Printing House: Drama and Authorship in Early Modern England

Douglas A. Brooks - 2006 - 316 страници
...seventeenthcentury visions of playwrights at work. The first will be very familiar: [H]c was a happie imitator of Nature, was a most gentle expresser of it. His mind and hand went together. And what he thought he vttered with that easinesse, that wee haue scarse receiued...
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