 | Samuel Taylor Coleridge - 1857 - 432 страници
...continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Samuel Taylor Coleridge - 1858 - 792 страници
...continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not...composition in which all the images rose up before him as tilings, with a parallel production of the correspondent expressions, without any sensation or consciousness... | |
 | Robert Dunn - 1858 - 138 страници
...Coleridge says of himself, that his fragment, " Kublakhan," was composed during sleep, " the images rising up before him as things, with a parallel production...corresponding expressions, without any sensation or consciousness of effort." The imagination, it is true, is prone to run riot when the controlling influence... | |
 | 1858 - 754 страници
...Coleridge says of himself, that his fragment, " Kublakhan," was composed during sleep, "the images rising up before him as things, with a parallel production...corresponding expressions, without any sensation or consciousness of effort." The imagination, it is true, is prone to run riot when the controlling influence... | |
 | Samuel Taylor Coleridge - 1861 - 448 страници
...continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Samuel Taylor Coleridge - 1864 - 332 страници
...continued for about three hours in a profound sleep, at ]east of the external senses, during which time he has the most vivid confidence, that he could not...before him as things, with a parallel production of the correspondent exThen all the charm Is broken—all that phantom-world so fair Vanishes, and a thousand... | |
 | Samuel Taylor Coleridge - 1864 - 720 страници
...profound sleep, at least of the external senses, during which time he has the most vivid confidenee, that he could not have composed less than from two...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. Ou awaking he appeared... | |
 | Alexander Henley Grant - 1865 - 420 страници
...continued for about three hours in a profound sleep, at least of the external senses, during which time ho has the most vivid confidence that he could not have...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared... | |
 | Alexander Henley Grant - 1865 - 414 страници
...continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not...can be called composition in which all the images VOL. II. Q 22G WHY FRAGMENTARY. rose up before him as things, with a parallel production of the correspondent... | |
 | Alexander Henley Grant - 1865 - 414 страници
...continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not...can be called composition in which all the images VOL. II. Q 22G WHY FRAGMENTARY. rose up before him as things, with a parallel production of the correspondent... | |
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The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called... 
