...continued for abou' three hours in a profound sleep, at least of the external KIUWB, during which time he has the most vivid confidence that he could not...if that indeed can be called composition in which nil the images rose up before him as tkiitgr, with a parallel production of tbe correspondent expressions,...

...denial of Mr. Coleridge's statement we consider ourselves jusufod in retaining our own faith therein. two to three hundred lines ; if that indeed can be...called composition in which all the images rose up hefore him as things, with a parallel production of the correspondent expressions, without any sensation...

...sleep, at least of the external senws uring which time he has the most vivid confidence that he couM ot have composed less than from two to three hundred...indeed can be called composition in which all the im«c. s ose up before him as thing*, with a parallel production of the orreapondent expressions, without...

...continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not...before him as things, with a parallel production of the correspondent expressions, without any sensation, or consciousness of effort. On awaking, he appeared...

...least of the external senses, during which time he has the most vivid confidence that he could not hare composed less than from two to three hundred lines...before him as things, with a parallel production of the correspondent expressions, without any sensation, or coniciousnets of effort. On awaking, he appeared...

...Coleridge dreamed the poem, and only wrote down, when awake, what he remembered out of his dream. " The images rose up before him as things, with a parallel production of the corresponding expressions." It is not unusual to dream verses, to remember them is rare, to find them worth remembering is rarer...

...psychological curiosity,' like COLIRIUOE'S ' Rubla Khan,' which waa composed under similar circumstances ; if that indeed can be called composition, in which all the images rose up before the writer as TBINOB, with a parallel production of the correspondent expressions, without any sensation...

...psychological curiosity,' like COLKIUDOB e ' Kubla ^ ban ' which waa composed under similar circumstances ; if that indeed can be called composition, in which all the images rose up before the writer as THiNaa,with a parallel production of the correspondent exprésalona, without any sensation...

...profound sleep, at least of the external i senses, during which time lie has the most vivid conlldence that he could not have composed less than from two to ! three hundred lines. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen,...

...the most vivid confidence that he could not have composed lesa than from two to three hundred linee; if that indeed can be called composition in which all the images rose up before him a« things, wilh a parallel production of the correspondent expressions, without any sensation, or...