Enfant Terrible!: Jerry Lewis in American FilmMurray Pomerance NYU Press, 2002 - 274 страници The one thing everybody knows about Jerry Lewis is that he is beloved by the French, those incomprehensible hedonistic strangers across the sea. The French understand him, while in the U.S. he is at best a riddle, not one of us. Lewis is someone we take profound pleasure in excluding, if not ridiculing. |
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... movie with a happier ending than the one that seemed to lie ahead of him in real life. To do this, he was aware he ... film starts, however, nobody seems to know this, not even the professor himself, who feels that to win the heart and ...
... film. This time, moreover, the professor comes onscreen looking not like a medical textbook figure or a terminal victim of muscular dystrophy but instead a grossly fat, aging man destined apparently to get even fatter— a disability at ...
... movie serves up. Lewis was sixty-seven at the time he signed on with Bosnian-Yugoslav director Kusturica to play ... film that is much closer to being a Balkan absurdist comedy than a Hollywood slapstick farce like the comedies Lewis ...
... films produced by Hollywood. Even more specifically, we will see that Kusturica's cinematic vision is “Balkan” in ... film about the clash of Stalinism with a freer sense of “third world” Communism during the 1950s, When Father Was Away ...
Jerry Lewis in American Film Murray Pomerance. This speech would already help us understand the title of the film, but Kusturica has scripted a deeper insight into this complex mixture of dream and reality that unfolds before us: I ...
Съдържание
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3 Jerry Lewis and Social Transformations | 107 |
4 JerryBuilt | 193 |
Works Cited | 256 |
Contributors | 265 |
Index | 269 |