Cinema of Flames: Balkan Film, Culture and the MediaBloomsbury Publishing, 25.07.2019 г. - 320 страници First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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Резултати 6 - 10 от 64.
Страница 8
... cultural identification rather than to any of its Balkan neighbours . Greeks look traditionally to the UK , Romanians to France , Bulgarians to Germany and the Slovenes to Austria and Italy.4 The Balkans do not conceptualise themselves ...
... cultural identification rather than to any of its Balkan neighbours . Greeks look traditionally to the UK , Romanians to France , Bulgarians to Germany and the Slovenes to Austria and Italy.4 The Balkans do not conceptualise themselves ...
Страница 9
... cultural space . In cinema in the 1990s there have been a series of co - productions involving vari- ous Balkan countries . The film festival at Thessaloniki specialises in showcasing Balkan cinema , Balkan film programmes are a regular ...
... cultural space . In cinema in the 1990s there have been a series of co - productions involving vari- ous Balkan countries . The film festival at Thessaloniki specialises in showcasing Balkan cinema , Balkan film programmes are a regular ...
Страница 10
... cultural interaction between the Balkan countries in the past decades , such a concept may seem somewhat artificial . My knowledge of the cinematic traditions of the countries in the region , however , reveals a number of consistent ...
... cultural interaction between the Balkan countries in the past decades , such a concept may seem somewhat artificial . My knowledge of the cinematic traditions of the countries in the region , however , reveals a number of consistent ...
Страница 13
... cultural criticism of Neue Slovenische Kunst ( NSK ) , 13 life in Bosnia after the war14 and , most recently , Kosovo - themed documentaries . 15 The best - known documentary probably remains the international TV co - production ...
... cultural criticism of Neue Slovenische Kunst ( NSK ) , 13 life in Bosnia after the war14 and , most recently , Kosovo - themed documentaries . 15 The best - known documentary probably remains the international TV co - production ...
Страница 17
... cultures, and to show Balkan marginalisation as a result of the workings of a culturist discursive construction ... cultural studies work that focused on the former Soviet Union and Eastern Europe, very little of the findings in ...
... cultures, and to show Balkan marginalisation as a result of the workings of a culturist discursive construction ... cultural studies work that focused on the former Soviet Union and Eastern Europe, very little of the findings in ...
Съдържание
| 1 | |
| 5 | |
| 27 | |
Part 2 Commitments Amid Strife | 87 |
Part 3 People | 173 |
Part 4 Spaces | 233 |
Bibliography | 283 |
Filmography | 300 |
Index | 318 |
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Често срещани думи и фрази
Albanian Aleksandar American Arkan audiences Balkan Balkan cinema Balkan countries Balkan film Balkan film-makers Belgrade Bernard-Henri Lévy Bosnia Bosnian war Bulgaria camp Chetnik civilisations claim context coverage critical Croat Croatian cultural depicted director discourse discussion documentary Dragojević Dušan Makavejev Eastern Europe Emir Kusturica ethnic European example experiences explored feminist Film Festival footage former Yugoslavia France Gaze Germany Goran Goran Paskaljević Greece Greek Gypsies Holocaust identity intellectuals interview Islamic issues Italy journalists journey killed Kosovo Kusturica lives look Macedonia Manchevski Marko migration moral movie Muslim narrative nationalist Ophuls Ottoman perpetrators political Pretty Flame Pretty Village propaganda protagonists rape realise region remains reports representations role Roma Romania Sarajevan Sarajevo scenes seen Serbian Serbs shot siege Srdjan story take sides talk Theo Angelopoulos Tito turbo-folk Ulysses Underground victims villains violence Vukovar West Western women writing York Yugoslav Zafranović Želimir Žilnik