Dramatic Discourse: Dialogue as Interaction in PlaysRoutledge, 20.06.2005 г. - 340 страници Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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... Hymes qualifies the above definition by drawing on some related notions—the language field, thespeech field and the speechnetwork. The former refers to the'total rangeof communities withinwhicha person's knowledgeofvarieties and ...
... Hymes qualifies the above definition by drawing on some related notions—the language field, thespeech field and the speechnetwork. The former refers to the'total rangeof communities withinwhicha person's knowledgeofvarieties and ...
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... Hymes' notion ofthe speech community andthespeech event attempts to ensure some common ground, since such is required for successful communication, without homogenizing the concept of a speech communityorundermining the possibilitiesfor ...
... Hymes' notion ofthe speech community andthespeech event attempts to ensure some common ground, since such is required for successful communication, without homogenizing the concept of a speech communityorundermining the possibilitiesfor ...
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... Hymes than would appear at first sight. It referstosituations in which speech playsa secondary role to other activities:forinstance, chattingto someonewhile ona journey, ora bicycle ride,asopposed toa debate oran argument in whichspeech ...
... Hymes than would appear at first sight. It referstosituations in which speech playsa secondary role to other activities:forinstance, chattingto someonewhile ona journey, ora bicycle ride,asopposed toa debate oran argument in whichspeech ...
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... Hymes' framework—ENDS, ACTS, NORMS, GENRES —refertothe different forcesthatact on speech to functionalize itas interpersonaland social activity, since speech isnot onlymeaningful but performative,actional. Speakers use speech for ...
... Hymes' framework—ENDS, ACTS, NORMS, GENRES —refertothe different forcesthatact on speech to functionalize itas interpersonaland social activity, since speech isnot onlymeaningful but performative,actional. Speakers use speech for ...
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... Hymes. The abovesetof componentsattempts tocaterfor allforms of communication, including talk,assituated discourse. It is not confined toinformal, personalinteractions alone, but includes institutionalandritualevents as well.Achange ...
... Hymes. The abovesetof componentsattempts tocaterfor allforms of communication, including talk,assituated discourse. It is not confined toinformal, personalinteractions alone, but includes institutionalandritualevents as well.Achange ...
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