That neither gave nor would endure offence,
Whipped out of sight, with satire just and keen,
The puppy pack that had defiled the scene.
In front of these came Addison. In him
Humour in holiday and sightly trim,
Sublimity and Attic taste, combined
To polish, furnish, and delight the mind.
Then Pope, as harmony itself exact,
In verse well disciplined, complete, compact,
Gave virtue and morality a grace
That, quite eclipsing Pleasure's painted face,
Levied a tax of wonder and applause,
Ev'n on the fools that trampled on their laws.
Yon ancient prude, whose withered features show
She might be young some forty years ago,
Her elbows pinioned close upon her hips,
Her head erect, her fan upon her lips,
Her eyebrows arched, her eyes both gone astray
To watch yon am'rous couple in their play,
With bony and unkerchiefed neck defies
The rude inclemency of wintry skies,
And sails with lappet-head and mincing airs,
Duly at clink of bell, to morning pray'rs.
To thrift and parsimony much inclined,
She yet allows herself that boy behind;
The shiv'ring urchin, bending as he goes,
With slipshod heels, and dewdrop at his nose,
His predecessor's coat advanced to wear,
Which future pages are yet doomed to share,
Carries her Bible tucked beneath his arm,
And hides his hands to keep his fingers warm.
She, half an angel in her own account,
Doubts not hereafter with the saints to mount,
Though not a grace appears, on strictest search,
But that she fasts and, item, goes to church.
Conscious of age, she recollects her youth,
And tells, not always with an eye to truth,
Who spanned her waist, and who, where'er he came,
Scrawled upon glass Miss Bridget's lovely name;
Who stole her slipper, filled it with tokay,
And drank the little bumper ev'ry day.
Of temper as envenomed as an asp,
Censorious, and her ev'ry word a wasp,
In faithful mem'ry she records the crimes,
Or real or fictitious, of the times,
Laughs at the reputations she has torn,
And holds them dangling at arm's length in scorn.
Such are the fruits of sanctimonious pride,
Of malice fed while flesh is mortified.
Take, madam, the reward of all your pray'rs,
Where hermits and where Brahmins meet with theirs;
Your portion is with them: nay, never frown,
But, if you please, some fathoms lower down.
RURAL SIGHTS AND SOUNDS
How oft upon yon eminence our pace
Has slackened to a pause, and we have borne
The ruffling wind scarce conscious that it blew,
While Admiration, feeding at the eye
And still unsated, dwelt upon the scene!
Thence with what pleasure have we just discerned
The distant plough slow-moving, and beside
His lab'ring team, that swerved not from the track,
The sturdy swain diminished to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along his sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlooked, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond and overthwart the stream,
That as with molten glass inlays the vale,
The sloping land recedes into the clouds,
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths, and smoking villages remote.
Scenes must be beautiful which, daily viewed,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years;
Praise justly due to those that I describe.
Nor rural sights alone, but rural sounds,
Exhilarate the spirit, and restore
The tone of languid nature. Mighty winds,
That sweep the skirt of some far-spreading wood
Of ancient growth, make music not unlike
The dash of Ocean on his winding shore,
And lull the spirit while they fill the mind,
Unnumbered branches waving in the blast,
And all their leaves fast flutt'ring, all at once.
Nor less composure waits upon the roar
Of distant floods, or on the softer voice
Of neighb'ring fountain, or of rills that slip
Through the cleft rock, and, chiming as they fall
Upon loose pebbles, lose themselves at length
In matted grass, that with a livelier green
Betrays the secret of their silent course.
Nature inanimate employs sweet sounds,
But animated Nature sweeter still,
To soothe and satisfy the human ear.
Ten thousand warblers cheer the day, and one
The livelong night: nor these alone, whose notes
Nice-fingered Art must emulate in vain,
But cawing rooks, and kites that swim sublime
In still repeated circles, screaming loud,
The jay, the pie, and ev'n the boding owl
That hails the rising moon, have charms for me.
Sounds inharmonious in themselves and harsh,
Yet heard in scenes where peace forever reigns,
And only there, please highly for their sake.
Oh for a lodge in some vast wilderness,
Some boundless contiguity of shade,
Where rumour of oppression and deceit,
Of unsuccessful or successful war,
Might never reach me more! My ear is pained,
My soul is sick, with ev'ry day's report
Of wrong and outrage with which earth is filled.
There is no flesh in man's obdurate heart,
It does not feel for man; the nat❜ral bond
Of brotherhood is severed as the flax
That falls asunder at the touch of fire.
He finds his fellow guilty of a skin
Not coloured like his own, and, having pow'r
T'enforce the wrong, for such a worthy cause
Dooms and devotes him as his lawful prey.
Lands intersected by a narrow frith
Abhor each other. Mountains interposed
Make enemies of nations who had else
Like kindred drops been mingled into one.
Thus man devotes his brother, and destroys;
And worse than all, and most to be deplored,
As human nature's broadest, foulest blot,
Chains him, and tasks him, and exacts his sweat
With stripes that Mercy, with a bleeding heart,
Weeps when she sees inflicted on a beast.
Then what is man? And what man seeing this,
And having human feelings, does not blush
And hang his head, to think himself a man?
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