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No. 73. THURSDAY, MAY. 24.
O Dea certe 1
VIRG. Æn. 1, 832.
It is very strange to consider, that a creature like man, who is sensible of so many weaknesses and imperfections, should be actuated by a love of fame; that vice and ignorance, imperfection and misery, should contend for praise, and endeavour as much as possible to make themselves objects of admiration.
But notwithstanding man's essential perfection is but very little, his comparative perfection may be very considerable. If he looks upon himself in an abstracted light, he has not much to boast of; but if he considers himself with regard to others, he may find occasion of glorying, if not in his own virtues, at least in the absence of another's imperfections. This gives a different turn to the reflections of the wise man and the fool. The first endeavours to shine in himself, and the last to out-shine others. The first is humbled by the sense of his own infirmities, the last is lifted up by the discovery of those which he observes in other
The wise man considers what he wants, and the fool what he abounds in. The wise man is happy when he gains his own approbation, and the fool when he recommends himself to the applause of those about him.
But however unreasonable and absurd this passion for admi ration may appear
in such a creature as man, it is not wholly to be discouraged; since it often produces very good effects, not only as it restrains him from doing any thing which is mean and contemptible, but as it pushes him to actions which are great and glorious. The principle may be defective or faulty but the
consequences it produces are so good, that, for the benefit of mankind, it ought not to be extinguished.
It is observed by Cicero, that men of the greatest and the most shining parts, are the most actuated by ambition; and if we look into the two sexes, I believe we shall find this principle of action stronger in women than in men.
The passion for praise, which is so very vehement in the fair sex, produces excellent effects in women of sense, who desire to be admired for that only which deserves admiration : and I think we may observe, without a compliment to them, that many of them do not only live in a more uniform course of virtue, but with an infinitely greater regard to their honour, than what we find in the generality of our own sex.
many instances have we of chastity, fidelity, devotion! How many ladies distinguish themselves by the education of their children, care of their families, and love of their husbands, which are the great qualities and achievements of womankind ! as the making of war, the carrying on of traffic, the administration of justice, are those by which men grow famous, and get themselves a name.
But as this passion for admiration, when it works according to reason, improves the beautiful part of our species in every thing that is laudable ; so nothing is more destructive to them when it is governed by vanity and folly. What I have, therefore, here to say, only regards the vain part of the sex, whom for certain reasons, which the reader will hereafter see at large, I shall distinguish by the name of Idols. An Idol is wholly taken up in the adorning of her person.
You see in every posture of her body, air of her face, and motion of her head, that it is her business and employment to gain adorers. For this reason your Idols appear in all public places and assemblies, in order to seduce men to their worship. The playhouse is very frequently filled with Idols; several of them are carried in pro
cession every evening about the ring, and several of thein set up their worship even in churches. They are to be accosted in the language proper to the Deity. Life and death are in their power: joys of heaven and pains of hell are at their disposal · paradise is in their arms, and eternity in every moment that you are present with them. Raptures, transports, and ecstacies, are the rewards which they confer : sighs and tears, prayers and broken hearts, are the offerings which are paid to them. Their smiles make men happy; their frowns drive them to despair. I shall only add under this head, that Ovid's book of The Art of Love is a kind of heathen ritual, which contains all the forms of worship which are made use of to an Idol.
It would be as difficult a task to reckon up these different kinds of Idols, as Milton's was to number those that were known in Canaan, and the lands adjoining. Most of them are worshipped, like Moloch, in fires and flames. Some of them, like Baal, love to see their votaries cut and slashed, and shedding their blood for them. Some of them, like the Idol in the Apocrypha, must have treats and collations prepared for them every night. It has, indeed, been known, that some of them have been used by their incensed worshippers like the Chinese Idols, who are whipped and scourged when they refuse to comply with the prayers that are offered to them.
I must here observe, that those idolaters who devote them. selves to the Idols I am here speaking of, differ very much from all other kinds of Idolaters. For as others fall out because they worship different Idols, these Idolaters quarrel because they worship the same.
The intention, therefore, of the Idol, is quite contrary to the wishes of the Idolater; as the one desires to confine the Idol to himself, the whole business and ambition of the other is to multiply adorers
This humour of an Idol is prettily described in a tale of Cnaucer : de represents one of them sitting at a table with three of her votaries about her, who are all of them courting her favour, and paying their adorations: she smiled upon one, drank to another, and trod upon the other's foot which was under the table. Now which of these three, says the old bard, do you think was the favourite ? 'In troth, (says he,) not one of all the three.'
The behaviour of this old Idol in Chaucer, puts me in mind of the beautiful Clarinda, one of the greatest Idols among the moderns. She is worshipped once a week by candle-light in the midst of a large congregation, generally called an assembly. Some of the gayest youths in the nation endeavour to plant themselves in her eye, while she sits in form with multitudes of tapers burning about her. To encourage the zeal of her idolaters, she bestows a mark of her favour upon every one of them before they go out of her presence. She asks a question of one, tells a Btory to another, glances an ogle upon a third, takes a pinch of snuff from the fourth, lets her fan drop by accident to give the fifth an occasion of taking it up. In short, every one goes away satisfied with his success, and encouraged to renew his devotions at the same canonical hour that day seven-night. An Idol may be undeified by many accidental causes.
Mar riage, in particular, is a kind of counter-apotheosis, or a deification inverted. When a man becomes familiar with his goddess, she quickly sinks into a woman.
Old age is likewise a great decayer of your Idol: the truth of it is, there is not a more unhappy being than a superannuated Idol, especially when she has contracted such airs and behaviour as are only graceful when her worshippers are about her.
Considering, therefore, that in these and many other cases the woman generally outlives the Idol, I must return to the moral of this paper, and desire my fair readers to give a proper direction
to their passion for being admired : in order to which, they must endeavour to make themselves the objects of a reasonable and lasting admiration. This is not to be hoped for from beauty, or dress, or fashion, but from those inward ornaments which are not to be defaced by time or sickness, and which appear most amiable to those who are most acquainted with them.
No. 74. FRIDAY, MAY 25.
Pendent opera interrupta.
VIRG. Æn. iv. 88.
In my last Monday's paper I
gave some general instances of those beautiful strokes which please the reader in the old song of Chevy-Chase; I shall here, according to my promise, be more particular, and shew that the sentiments in that ballad are extremely natural and poetical, and full of the majestic simplicity which we admire in the greatest of the ancient poets: for which reason I shall quote several passages of it, in which the thought is altogether the same with what we meet in several passages
of the Æneid; not that I would infer from thence, that the poet (whoever he was) proposed to himself any imitation of those passages, but that he was directed to them in general by the same kind of poetical genius, and by the same copyings after nature.
Had this old song been filled with epigrammatical turns and points of wit, it might perhaps have pleased the wrong taste of some readers; but it would never have become the delight of the common people, nor have warmed the heart of Sir Philip
Sidney like the sound of a trumpet; it is only nature that X Х
can have this effect, and please those tastes which are the most