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Leon. We'll part the time between 's then: and in
I'll no gain-saying.
Press me not, 'beseech you, so;
There is no tongue that moves, none, none i' the world,
Do even drag me homeward: which to hinder,
Tongue-tied, our queen? speak you. Her. I had thought, sir, to have held my peace, until You had drawn oaths from him, not to stay. You, sir, Charge him too coldly: Tell him, you are sure,
All in Bohemia's well: this satisfaction"
The by-gone day proclaim'd; say this to him,
Well said, Hermione.
Her. To tell, he longs to see his son, were strong :
But let him say so then, and let him go;
But let him swear so, and he shall not stay,
Yet of your royal presence [to PoL.] I'll adventure
The borrow of a week. When at Bohemia
You take my lord, I'll give him my commission,3
this satisfaction] We had satisfactory accounts yesterday of the state of Bohemia. Johnson.
8 I'll give him my commission,] We should read:
I'll give you my commission,
The verb let, or hinder, which follows, shows the necessity of it for she could not say she would give her husband a commission to let or hinder himself. The commission is given to Polixenes, to whom she is speaking, to let or hinder her husband.
"I'll give him my licence of absence, so as to obstruct or retard his departure for a month," &c. To let him, however, may
To let him there a month, behind the gest
be used as many other reflective verbs are by Shakspeare, for to let or hinder himself: then the meaning will be: "I'll give him my permission to tarry for a month," &c. Dr. Warburton and the subsequent editors read, I think, without necessity—" I'll give you my commission, &c. Malone.
9 behind the gest] Mr. Theobald says: he can neither trace, nor understand the phrase, and therefore thinks it should be just: But the word gest is right, and signifies a stage or journey. In the time of royal progresses the king's stages, as we may see by the journals of them in the herald's office, were called his gests; from the old French word giste, diversorium. Warburton.
In Strype's Memorials of Archbishop Cranmer, p. 283,-The Archbishop entreats Cecil, "to let him have the new resolved upon gests, from that time to the end, that he might from time to time know where the king was."
Again, in Friar Bacon and Friar Bungay, 1594:
Castile, and lovely Elinor with him,
"Have in their gests resolv'd for Oxford town." Again, in The White Devil, or, Vittoria Corombona, 1612: 66 Do, like the gests in the progress, "You know where you shall find me." Gests, or rather gists, from the Fr. giste, (which signifies both a bed, and a lodging place) were the names of the houses or towns where the King or Prince intended to lie every night during his PROGRESS. They were written in a scroll, and probably each of the royal attendants was furnished with a copy. Malone.
1 yet, good-deed,] Signifies, indeed, in very deed, as Shakspeare in another place expresses it. Good-deed, is used in the same sense by the Earl of Surrey, Sir John Hayward, and Gascoigne.
Dr. Warburton would read-good heed,-meaning-take good
The second folio reads-good heed, which, I believe, is right. Tyrwhitt. 2 ——— a jar o' the clock —] A jar is, I believe, a single repetition of the noise made by the pendulum of a clock; what children call the ticking of it. So, in King Richard II:
"My thoughts are minutes, and with sighs they jar."
A jar perhaps means a minute, for I do not suppose that the ancient clocks ticked or noticed the seconds. See Holinshed's Description of England, p. 241. Tollet.
To jar certainly means to tick; as in T. Heywood's Troia Britannica, cant. iv, st. 107; edit. 1609: "He hears no waking-clocke, nor watch to jarre." H. White.
should What lady"she' her lord.-You'll stay?
You put me off with limber vows: But I,
Though you would seek to unsphere the stars with oaths,`
You shall not go; a lady's verily is
As potent as a lord's.
Will you go yet?
Force me to keep you as a prisoner,
Not like a guest; so you shall pay your fees,
When you depart, and save your thanks. How say you?
One of them you shall be.
Your guest then, madam:
To be your prisoner, should import offending;
Than you to punish.
Not your gaoler then,
But your kind hostess. Come, I'll question you
And to be boy eternal.
Her. Was not my lord the verier wag o' the two?
And bleat the one at the other: what we chang'd,
So, in The Spanish Tragedy, 1601:-"the owle shrieking, the toades croaking, the minutes jerring, and the clocke striking twelve." Malone.
3 lordings] This diminutive of lord is often used by Chaucer. So, in the prologue to his Canterbury Tales, the host says to the company, v. 790, Mr. Tyrwhitt's edit:
"Lordinges (quod he) now herkeneth for the beste.”
The doctrine of ill-doing, no, nor dream'd-] Doctrine is here
That any did: Had we pursued that life,
You have tripp'd since.
O my most sacred lady,
Grace to boot!
Of this make no conclusion; lest you say,"
used as a trisyllable. So children, tickling, and many others. The editor of the second folio inserted the word no, to supply a supposed defect in the metre, [-no, nor dream'd] and the interpolation was adopted in all the subsequent editions. Malone. I cannot suppose myself to be reading a verse, unless I adopt the emendation of the second folio. Steevens.
the imposition clear'd,
Hereditary ours.] i. e. setting aside original sin, bating the imposition from the offence of our first parents, we might have boldly protested our innocence to Heaven. Warburton.
6 Grace to boot!
Of this make no conclusion; lest you say, &c.] Polixenes had said, that since the time of childhood and innocence, temptations had grown to them; for that, in that interval, the two Queens were become women. To each part of this observation the Queen answers in order. To that of temptations she replies, Grace to boot! i. e. e. though temptations have grown up, yet I hope grace too has kept pace with them. Grace to boot, was a proverbial expression on these occasions. To the other part, she replies, as for our tempting you, pray take heed you draw no conclusion from thence, for that would be making your Queen and me devils, &c. Warburton.
This explanation may be right; but I have no great faith in the existence of such a proverbial expression. Steevens.
She calls for Heaven's grace, to purify and vindicate her own character, and that of the wife of Polixenes, which might seem to be sullied by a species of argument that made them appear to have led their husbands into temptation.
Grace or Heaven help me!-Do not argue in that manner; do not draw any conclusion or inference from your, and your friend's, having, since those days of childhood and innocence, become acquainted with your Queen and me; for, as you have said that in
Your queen and I are devils: Yet, go on;
You did continue fault, and that you slipp'd, not
Is he won yet?
Her. What? have I twice said well? when was 't be
I pr'ythee, tell me : Cram us with praise, and make us
Our praises are our wages: You may ride us,
clear With spur we"heat an acre. But to the goal;-good
My last good deed was, to entreat his stay;
Or I mistake you: O, would her name were Grace!
Why, that was when
the period between childhood and the present time temptations have been born to you, and as in that interval you have become acquainted with us, the inference or insinuation would be strong against us, as your corrupters, and "by that kind of chase," your Queen and I would be devils. Malone.
7 With spur we heat an acre. But to the goal;] Thus this passage has been always printed; whence it appears, that the editors did not take the poet's conceit. They imagined that, But to the goal, meant, but to come to the purpose; but the sense is different, and plain enough when the line is pointed thus:
With spur we heat an acre, but to the goal.
i. e. good usage will win us to any thing; but, with ill, we stop short, even there where both our interest and our inclination would otherwise have carried us. Warburton.
I have followed the old copy, the pointing of which appears to afford as apt a meaning as that produced by the change recommended by Dr. Warburton. Steevens.