Diana & Nikon: Essays on Photography

Предна корица
Aperture, 1997 - 212 страници
This expanded edition of Diana & Nikon, Janet Malcolm's first book, presents new essays that explore the last work of Diane Arbus, Sally Mann's family pictures, E. J. Bellocq's famous 1912 nudes, Andrew Bush's richly detailed interiors, and the relationship between painting and photography. The text of the original edition - long a much sought after rarity - is reprinted here in full, including essays on the works of the masters Stieglitz, Steichen, and Weston, as well as contemporaries such as Robert Frank, Irving Penn, and William Eggleston. Malcolm offers a view of photography that is as complicated and as controversial as the medium itself. Her writings on such topics as Richard Avedon's portraits, Garry Winogrand's street photographs, and Harry Callahan's color work exhibit the elegant prose style and incisive commentary for which she is renowned. Illustrated with 100 black-and-white photographs, this is a book to read and to ponder, a sensitive and generous appraisal of where photography stands in relation to all the arts, and to its own past, by one of the leading writers of her generation.

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Съдържание

Assorted Characters of Death and Blight
19
Certainties and Possibilities
27
Men Without Props
45
Авторско право

7 други раздела не са показани

Често срещани думи и фрази

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Информация за автора (1997)

Janet Malcolm is the author of numerous books, including The Silent Woman, Psychoanalysis: The Impossible Profession, and In the Freud Archives. She has been writing for the New Yorker since 1963, including nearly ten years writing "About the House," a column on interiors and design. Janet lives in New York.

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