The Voice in Singing

able accented accustomed æsthetic apophyses arias art of singing artists arytenoid cartilages beautiful breath cavity chest register chest tones consonants contralto correct cultivated culture cuneiform cartilages easily epiglottis falsetto register falsetto tones feeling female voice formation of tones fulness fundamental tone Garcia German head register head tones head voice Helmholtz higher tone highest human voice inharmonic instruction in singing instruments laryngoscope larynx learned lower lungs male voice membrane mouth movement muscles musicians natural notes observation octave old Italian organ of singing over-tones sound peculiar perfect piano possible practice produced pupil requires rhythm scientific second series sentiment series of tones singers singing masters song sopranists soprano sounding bodies strength stretched sung surface syllables teaching tempo thyroid cartilage timbre tion tone in singing tongue trachea transition trills vibrations vocal art vocal chords vocal ligaments vocal music vocal organ voice in singing vowels whole glottis windpipe words