til we have ceased to be bullied and cowed by the world-machine which our own minds have framed, —we shall not see again the magnificence of the age that crowned itself with Shakespeare.
Adriano de Armado, 58, 61
Alleyn, Edward, 49, 50
Alonzo, 250, 267
Anachronisms, Shakespeare's,
33f.; in Macbeth, 154; in
Lear, 187ff.
Antigonus (Winter's Tale),
219, 236
Antipholuses, the two, 65-6
Anti-Semitism, 75, 88-9, 93-4
Antonio (Merchant of Ven-
ice), 78, 82ff.
Antony and Cleopatra, 180
Apocrypha, the Shakespear-
ean, 240
Arcadia, Sidney's, 186
Ariel, 251, 253; his nature:
pure disembodied intelli-
no social
gence, 258f.;
nature, 259; his songs,
260f.
Arnold, Matthew, Intro. viii,
23, 195f., 271, 281
As You Like It, 78, 180, 236,
238
Astrology, ridicule of, in
Lear, 189, 194-5
Atlanteans, Bacon's, how
they became Christians, 35
Autolycus, 34, 36, 159, 220; a
sixteenth-century character,
Bacon, Francis, 12, 29, 32,
34f.; his New Atlantis,
ibid.; radical difference be-
tween him and Shake-
speare, 36ff.; his Essays,
38; his “idols,” ibid.; his
letter to Burghley, ibid.;
his scheme of the imperium
hominis, 39; his ignorance
of dramatic poetry, 39
note; his Novum Organum,
38, 42; on love and mar-
riage, 42-3; 121, 234, 285
Bacon Myth, the, chap. ii; 31
note, 87
Banquo, 151, 152, 162, 163 and
note, 165; his character,
173-4; Macbeth's fear of
him, 174
Barabas, 17, 21
Bardell v. Pickwick and Shy-
lock v. Antonio, 86, 88
Barrie, Sir James, and Tam-
ing of the Shrew, 99
Bartholomew Fair, Jonson's,
56, 210, 239
Bassanio, 78, 80, 82, 85ff.
Beatrice, 97
Beaumont and Fletcher, 1, 19,
Bellaria, the bellowings of,
216
Benvolio, 72
Bermudas, 239, 252, 253
Bible, the English, 286
Biron, 58ff.
Boatswain, the (Tempest),
268
Book-making, the gentle art
of, 26
Book of Common Prayer,
285
Bradley, A. C., on Hamlet,
112 and note, 128 note
Brooke, Arthur, 69
Browning's Paracelsus and
Sordello, 29; Abt Vogler
quoted, 79; Bishop Blou-
gram's Apology, 147; Cali-
ban upon Setebos, 257f.;
278
Bunyan, 143
Burbage, Richard, 45, 49, 50
Burghley, Bacon's letter to,
38
Caliban, 210, 239; an imagi-
nary composite, 252f.; a
study of primitive man-
mind without morals,
255ff.; his poetic sensitive-
ness, 256; his hatred of
Prospero, ibid.; Brown-
ing's study of his religion,
257f.; 267
Camillo, 218, 223
Cardenio, 240
Caskets (Merchant of Ven-
ice), 79, 81
Castelvines y Monteses, Lope
de Vega's, 69
Castle, William, 47
Chapman, George, 23, 44
Chesterton's defence of the
penny dreadful, Intro. xi
Chicago distinguishes itself
again, 31 note
Christ, 247-8
Christian evangel, the, com-
pared with Shakespeare's
work, Intro. x, xi
Chronicle History of King
Lear (1594), 184f.
Chronological order of Shake-
speare's plays, 56ff.
Claudius, 117, 118, 119; his
estimate of Hamlet, 121,
135; the Prayer scene, 139f.
Coit, Stanton, 112 note
Coleridge, Hartley, 222
Coleridge, S. T., 5; his theory
of Hamlet's character,
11off.; my theory of his,
114-15; on the Porter in
Macbeth, 157 and note
Collier, Jeremy, 20 and note
Comedia von der schönen
Sidea, Ayrer's, 251
Comedy of Errors, The, 36,
58, 63-9; date of, 63; length
of, ibid.; “unities" observed
in, 64; departures from
Plautus in, 65; blend of
tragedy with farce in, 66;
defiances of history and
geography in, 68; shortest
of Shakespeare's plays,
156; 180
Comus, 237
Cordelia, 97, 183, 185f., 190,
196, 202
Cornwall and Albany (Lear),
Custom of the Country, The,
Beaumont and Fletcher's,
Cymbeline, 28, 33, 209, 214,
246 note
Dark Lady of the Sonnets,
Shaw's, 205
Darwin: did he write Dick-
ens? 41
D'Avenant, Sir William, 47,
272 and note
Declaration of Popish Im-
postures, Harsnett's, 189
Devils in King Lear, 188-9
Dickens, 31f.; a Baconian
proof that Darwin wrote
his books, 41
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