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If love have touch'd you, nought remains but so,
Luc. Gramercies, lad; go forward: this contents;
The rest will comfort, for thy counsel's sound.
TRA. Master, you look'd so longly' on the maid, Perhaps you mark'd not what's the pith of all.
Luc. O yes, I saw sweet beauty in her face, Such as the daughter of Agenor 3 had, That made great Jove to humble him to her hand, When with his knees he kiss'd the Cretan strand.
TRA. Saw you no more? mark'd you not, how her sister
9 If love have touch'd you, nought remains but so,] The next line from Terence shows that we should read:
If Love hath toyl'd you,
i. e. taken you in his toils, his nets. Alluding to the captus est, habet, of the same author. WARBURTON.
It is a common expression at this day to say, when a bailiff has arrested a man, that he has touched him on the shoulder. Therefore touch'd is as good a translation of captus, as toyl'd would be.. Thus, in As you like it, Rosalind says to Orlando: "Cupid hath clapt him on the shoulder, but I warrant him heart-whole."
1 Redime &c.] Our author had this line from Lilly, which I mention, that it may not be brought as an argument for his learning. JOHNSON.
Dr. Farmer's pamphlet affords an additional proof that this line was taken from Lilly, and not from Terence; because it is quoted, as it appears in the grammarian, and not as it appears in the poet. It is introduced also in Decker's Bellman's NightWalk, &c. It may be added, that captus est, habet, is not in the same play which furnished the quotation. STEEvens.
longly i. e. longingly. I have met with no example of this adverb. STEEVENS.
3daughter of Agenor -] transformed himself into a bull.
Europa, for whose sake Jupiter
Began to scold; and raise up such a storm, That mortal ears might hardly endure the din?
Luc. Tranio, I saw her coral lips to move, And with her breath she did perfume the air; Sacred, and sweet, was all I saw in her.
TRA. Nay, then, 'tis time to stir him from his
I pray, awake, sir; If you love the maid, Bend thoughts and wits to achieve her. Thus it stands:
Her elder sister is so curst and shrewd,
Luc. Ah, Tranio, what a cruel father's he! But art thou not advis'd, he took some care To get her cunning schoolmasters to instruct her? TRA. Ay, marry, am I, sir; and now 'tis plotted. Luc. I have it, Tranio.
TRA. Master, for my hand, Both our inventions meet and jump in one. Luc. Tell me thine first.
You will be schoolmaster, And undertake the teaching of the maid: That's your device. LUC.
It is May it be done? TRA. Not possible; For who shall bear your part, And be in Padua here Vincentio's son?
she shall not be annoy'd-] Old copy-she will not. Corrected by Mr. Rowe. MALONE.
Keep house, and ply his book; welcome his friends; Visit his countrymen, and banquet them?
Luc. Basta; content thee; for I have it full.
(For so your father charg'd me at our parting;
5 Basta ;] i. e. 'tis enough; Italian and Spanish. This expression occurs in The Mad Lover, and The Little French Lawyer, of Beaumont and Fletcher. STEEVENS.
I have it full.] i. e. conceive our stratagem in its full extent, I have already planned the whole of it. So, in Othello: "I have it, 'tis engender'd-" STEEVENS. *port,] Port is figure, show, appearance. Johnson. So, in The Merchant of Venice:
""Tis not unknown to you, Antonio,
"How much I have disabled mine estate
By something showing a more swelling port
or mean man of Pisa.] The old copy, regardless of metre, reads-meaner, STEEVENS.
Luc. Tranio, be so, because Lucentio loves: And let me be a slave, to achieve that maid Whose sudden sight hath thrall'd
my wounded eye.
Here comes the rogue.-Sirrah, where have you been?
BION. Where have I been? Nay, how now, where are you?
Master, has my fellow Tranio stol'n your clothes?
I, sir? ne'er a whit.
Luc. And not a jot of Tranio in your mouth ; Tranio is chang'd into Lucentio.
BION. The better for him; "Would I were so too!
TRA. So would I,' 'faith, boy, to have the next wish after,
and fear I was descried:] i. e. I fear I was observed in the act of killing him. The editor of the third folio reads-I am descried; which has been adopted by the modern editors.
1 So would I,] The old copy has-could. Corrected by Mr. Rowe. MALONE.
That Lucentio indeed had Baptista's youngest daughter.
But, sirrah,-not for my sake, but your master's,I advise
You use your manners discreetly in all kind of companies:
When I am alone, why, then I am Tranio;
Luc. Tranio, let's go :
One thing more rests, that thyself execute;-
why, Sufficeth, my reasons are both good and weighty.3 [Exeunt.
1 SERV. My lord, you nod; you do not mind the play.
SLY. Yes, by saint Anne, do I. A good matter, surely; Comes there any more of it?
PAGE. My lord, 'tis but begun.
SLY. 'Tis a very excellent piece of work, madam lady; 'Would't were done!
your master] Old copy-you master. Corrected by the editor of the second folio. MALONE.
good and weighty.] The division for the second Act of this play is neither marked in the folio nor quarto editions. Shakspeare seems to have meant the first Act to conclude here, where the speeches of the Tinker are introduced; though they have been hitherto thrown to the end of the first Act, according to a modern and arbitrary regulation. STEEVENs.
* Exeunt.] Here in the old copy we have" The Presenters above speak."-meaning Sly, &c. who were placed in a balcony raised at the back of the stage. After the words-" Would it were done," the marginal direction is-They sit and mark.