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involves himself in his own thoughts, and never suffers experience to show him the vanity of speculation; for no sooner are notions reduced to practice, than tranquillity and confidence forsake the breast; every day brings its task, and often without bringing abilities, to perform it: difficulties embarrass, uncertainty perplexes, opposition retards, censure exasperates, or neglect depresses. We proceed because we have begun; we complete our design, that the labour already spent may not be vain; but as expectation gradually dies away, the gay smile of alacrity disappears, we are compelled to implore severer powers, and trust the event to patience and constancy.

When once our labour has begun, the comfort that enables us to endure it is the prospect of its end; for though in every long work there are some joyous intervals of selfapplause, when the attention is recreated by unexpected facility, and the imagination soothed by incidental excellencies; yet the toil with which performance struggles after idea, is so irksome and disgusting, and so frequent is the necessity of resting below that perfection which we imagined within our reach, that seldom any man obtains more from his endeavours than(a painful conviction of his defects, and a continual resuscitation of desires which he feels himself unable to gratify.

So certainly is weariness the concomitant of our undertakings, that every man, in whatever he is engaged, consoles himself with the hope of change; if he has made his way by assiduity to publick employment, he talks among his friends of the delight of retreat; if by the necessity of solitary application he is secluded from the world, he listens with a beating heart to distant noises, longs to mingle with living beings, and resolves to take hereafter his fill of diversions, or display his abilities on the universal theatre, and enjoy the pleasure of distinction and applause.

Every desire, however innocent, grows dangerous, as by long indulgence it becomes ascendant in the mind. When we have been much accustomed to consider any thing as capable of giving happiness, it is not easy to restrain our

ardour, or to forbear some precipitation in our advances, and irregularity in our pursuits. He that has cultivated the tree, watched the swelling bud and opening blossom, and pleased himself with computing how much every sun and shower add to its growth, scarcely stays till the fruit has obtained its maturity, but defeats his own cares by eagerness to reward them. When we have diligently laboured for any purpose, we are willing to believe that we have attained it, and, because we have already done much, too suddenly conclude that no more is to be done. ン

All attraction is increased by the approach of the attracting body. We never find ourselves so desirous to finish as in the latter part of our work, or so impatient of delay, as when we know that delay cannot be long. This unseasonable importunity of discontent may be partly imputed to languor and weariness, which must always oppress those more whose toil has been longer continued; but the greater part usually proceeds from frequent contemplation of that ease which is now considered as within reach, and which, when it has once flattered our hopes, we cannot suffer to be withheld.

In some of the noblest compositions of wit, the conclusion falls below the vigour and spirit of the first books; and as a genius is not to be degraded by the imputation of human failings, the cause of this declension is commonly sought in the structure of the work, and plausible reasons are given why, in the defective part, less ornament was necessary, or less could be admitted. But, perhaps, the author would have confessed, that his fancy was tired, and his perseverance broken; that he knew his design to be unfinished, but that, when he saw the end so near, he could no longer refuse to be at rest.

Against the instillations of this frigid opiate, the heart should be secured by all the considerations which once concurred to kindle the ardour of enterprise. Whatever motive first incited action, has still greater force to stimulate perseverance; since he that might have lain still at first in blameless obscurity, cannot afterwards desist but

with infamy and reproach. He, whom a doubtful promise of distant good could encourage to set difficulties at defiance, ought not to remit his vigour, when he has almost obtained his recompense. To faint or loiter, when only the last efforts are required, is to steer the ship through tempests, and abandon it to the winds in sight of land; it is to break the ground and scatter the seed, and at last to neglect the harvest.

The masters of rhetorick direct, that the most forcible arguments be produced in the latter part of an oration, lest they should be effaced or perplexed by supervenient images. This precept may be justly extended to the series of life: nothing is ended with honour, which does not conclude better than it began. It is not sufficient to main. tain the first vigour; for excellence loses its effect upon the mind by custom, as light after a time ceases to dazzle. Admiration must be continued by that novelty which first produced it, and how much soever is given, there must always be reason to imagine that more remains.

We not only are most sensible of the last impressions, but such is the unwillingness of mankind to admit transcendant merit, that, though it be difficult to obliterate the reproach of miscarriages by any subsequent achievement, however illustrious, yet the reputation raised by a long train of success may be finally ruined by a single failure; for weakness or errour will be always remembered by that malice and envy which it gratifies.

For the prevention of that disgrace, which lassitude and negligence may bring at last upon the greatest performances, it is necessary to proportion carefully our labour to our strength. If the design comprises many parts, equally essential, and, therefore, not to be separated, the only time for caution is before we engage; the powers of the mind must be then impartially estimated, and it must be remembered that, not to complete the plan, is not to have begun it; and that nothing is done while any thing is omitted.

But, if the task consists in the repetition of single acts,

no one of which derives its efficacy from the rest, it may be attempted with less scruple, because there is always opportunity to retreat with honour. The danger is only, lest we expect from the world the indulgence with which most are disposed to treat themselves; and in the hour of listlessness imagine, that the diligence of one day will atone for the idleness of another, and that applause begun by approbation will be continued by habit.

He that is himself weary will soon weary the publick. Let him therefore lay down his employment, whatever it be, who can no longer exert his former activity or attention; let him not endeavour to struggle with censure, or obstinately infest the stage till a general hiss commands him to depart.

No. 208. SATURDAY, MARCH 14, 1752.

Ηράκλειτος ἐγώ· τί με ὦ κάτω ἕλκετ ̓ ἄμουσοι;
Οὐχ ̓ ὑμῖν ἐπόνουν, τοῖς δέ μ' ἐπισταμένοις·
Εἰς ἐμοὶ ἄνθρωπος τρισμύριοι· οἱ δ ̓ ἀνάριθμοι
Οὐδείς· ταῦτ ̓ αὐδῷ καὶ παρὰ Περσεφόνη

Begone, ye blockheads, Heraclitus cries,
And leave my labours to the learn'd and wise;
By wit, by knowledge, studious to be read,
I scorn the multitude, alive and dead.

DIOG. LAERT.

TIME, which puts an end to all human pleasures and sorrows, has likewise concluded the labours of the Rambler. Having supported, for two years, the anxious employment of a periodical writer, and multiplied my essays to upwards of two hundred, I have now determined to desist.

The reasons of this resolution it is of little importance to declare, since justification is unnecessary when no objection is made. I am far from supposing, that the cessation of my performances will raise any inquiry, for I have never been much a favourite of the publick, nor can boast

that, in the progress of my undertaking, I have been animated by the rewards of the liberal, the caresses of the great, or the praises of the eminent.

But I have no design to gratify pride by submission, or malice by lamentation; nor think it reasonable to complain of neglect from those whose regard I never solicited. If I have not been distinguished by the distributors of literary honours, I have seldom descended to the arts by which favour is obtained. I have seen the meteors of fashions rise and fall, without any attempt to add a moment to their duration. I have never complied with temporary curiosity, nor enabled my readers to discuss the topick of the day; I have rarely exemplified my assertions by living characters; in my papers, no man could look for censures of his enemies, or praises of himself; and they only were expected to peruse them, whose passions left them leisure for abstracted truth, and whom virtue could please by its naked dignity.

To some, however, I am indebted for encouragement, and to others for assistance. The number of my friends was never great, but they have been such as would not suffer me to think that I was writing in vain, and I did not feel much dejection from the want of popularity.

My obligations having not been frequent, my acknowledgments may be soon despatched. I can restore to all my correspondents their productions, with little diminution of the bulk of my volumes, though not without the loss of some pieces to which particular honours have been paid.

The parts from which I claim no other praise than, that of having given them an opportunity of appearing, are the four billets in the tenth paper, the second letter in the fifteenth, the thirtieth, the forty-fourth, the ninety-seventh, and the hundredth papers, and the second letter in the hundred and seventh.

Having thus deprived myself of many excuses which candour might have admitted for the inequality of my compositions, being no longer able to allege the necessity of gratifying correspondents, the importunity with which

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