Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29.05.1997 г. - 232 страници To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... rewrite Shakespearean tragedy in Sejanus ; he also wanted Shakespeare's tragedies themselves to be seen as ... rewriting Shakespeare as the secret agent of state power , however , Jonson also seems to have wanted to align Shake ...
... rewriting of Shakespearean and Jon- sonian tragedy . Whereas Hamlet and Sejanus each opens with a pair of actors whose " I - thou❞ relationship suggests a certain view of sub- jectivity and a certain representational practice , Women ...
... rewriting of Shakespeare in , III ; self - legitimation of , 50-51 ; self- promotion of , 52 ; and Shakespeare , xv - xvi , 82 ; status of , 58-60 ; Tacitean history in , 112 ; topicality of drama of , 156 ; violent tendencies of , 53 ...
Съдържание
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Авторско право | |
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Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ... Paul Yachnin Ограничен достъп - 1997 |
Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ... Paul Yachnin Ограничен достъп - 2015 |