Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29.05.1997 г. - 232 страници To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... desire to be able to hear Shakespeare's voice and to enter into conversation with him : “ I began with the desire to speak with the dead . " 23 After working through some 42 Chapter 2.
... desire for social legitimation and esteem , a desire that was capable of fulfillment only in the conflicted terms of the status hierarchy . Each achieved a measure of legitimacy by develop- ing a career parallel to his work as a ...
... desire , Rosalind puts off putting in a man so that she can put on a man , in both senses of acting the man's part and deceiving a man . Her playacting as the misogynistic Ganymede , which allows her to test Orlando's love in the face ...
Съдържание
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
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Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ... Paul Yachnin Ограничен достъп - 1997 |
Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ... Paul Yachnin Ограничен достъп - 2015 |