Or whether it was Andrew Bell, To spier that night. XIII. Wee Jenny to her Graunie says, • Will ye go wi' me, Graunie? 'I'll eat the apple* at the glass, 'I gat frae uncle Johnie: Out thro' that night. XIV.. Ye little skelpie-limmer's face! On sic a night. XV. 2 1 Ae hairst afore the Sherra-moor, I mind't as weel's yestreen, * Take a candle, and go alone to a looking-glass; eat an ap ple before it, and some traditions say, you should comb your hair all the time; the face of your conjugal companion, to be, will be seen in the glass, as if peeping over your shoulder 'I was a gilpey then, I'm sure • The simmer had been cauld ́an' wat, It fell that night. XVI. * Our stibble-rig was Rab M'Graen, A clever, sturdy fallow; He's sin gat Eppie Sim wi' wean, That liv'd in Achmacalla: 'He gat hemp seed,* I mind it weel, An' he made unco light o't; 'But monie a day was by himsel, He was sae sairly frighted. • That vera night,' XVII. Then up gat fechtin Jamie Fleck, her) that is to be my true-love, Steal out, unperceived, and sow a handful of hemp-seed; harrowing it with any thing you can conveniently draw after you. Repeat now and then, Hemp-seed I saw thee; hemp'seed I saw thee; and him (or ' come after me and pou thee. Look over your left shoulder, and you will see the appearance of the person invoked, in the attitude of pulling hemp. Some traditions say, come after me, and shaw thee,' that is, show thyself in which appears. Others omit the harrowing, and say, come after me, and harrow thee.' case it simply That he could saw hemp-seed a peck The auld guidman raught down the pock Syne bad him slip frae 'mang the folk, Antry't that night. XVIII. He marches thro' amang the stacks, An' her that is to be my lass, • Come after me, and draw thee, XIX. He whistl'd up Lord Lennox' march, To keep his courage cheery; Altho' his hair began to arch, He was sae fley'd an' eerie: Till presently he hears a squeak, An' then a grane an' gruntle; He by his shouther gae a keek, An' tumbl'd wi' a wintle Out-owre that night. XX. He roar'd a horrid murder-shout,, In dreadfu' desperation ! An' young an' auld cam rinnin out. He swoor 'twas hilchin Jean McCraw, XXI. Meg fain wad to the barn gaen,” To watch, while for the barn she sets, She turns the key wi' cannie thraw, An' owre the threshold ventures; This charm must likewise be performed unperceived, and alone. You go to the barn, and open both doors, taking them off the hinges, if possible; for there is danger, that the being, about to appear, may shut the doors, and do you some mischief. Then take that instrument used in winnowing the corn, which, in our country dialect, we call a recht; and go through all the attitudes of letting down corn against the wind. Repeat it three times; and the third time an apparition will pass through the barn, in at the windy door, and out at the other, having both the figure in question, and the appearance or retinue, marking the employment or station in life. But first on Sawnie gies a' ca', An' she cry'd, Ld preserve her! An' pray'd wi' zeal an' fervour, XXIII. They hoy't out Will, wi' sair advice; XXIV. A wanton widow Leezie was, As canty as a kittlen ; But och! that night, amang the shaws, She got a fearfu' settlin! She thro' the whins, an' by the cairn, Take an opportunity of going, unnoticed, to a Bear-stack, and fathom it three times round. The last fathom of the last time you will catch in your arms the appearance of your future eonjugal yoke-fellow. |