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THE PIN AND THE NEEDLE.

A PIN who long had serv'd a beauty,
Proficient in the toilette's duty,

Had form'd her sleeve, confin'd her hair,
Or given her knot a smarter air,
Now nearest to her heart was plac'd,
Now in her manteau's tail disgrac'd;
But could she partial Fortune blame,
Who saw her lovers serv'd the same?

At length from all her honours cast,
Through various turns of life she past ;
Now glitter'd on a tailor's arm,
Now kept a beggar's infant warm ;
Now rang'd within a miser's coat,
Contributes to his yearly groat;
Now, rais'd again from low approach,
She visits in the doctor's coach:
Here, there, by various fortune tost,
At last in Gresham-hall was lost.
Charm'd with the wonders of the show,

On every side, above, below,

She now of this or that inquires,

What least was understood admires,

'Tis plain, each thing so struck her mind,

Her head's of virtuoso kind.

'And pray what's this, and this, dear Sir?'

'A needle,' says the interpreter.

She knew the name; and thus the fool
Address'd her as a tailor's tool.

'A needle with that filthy stone,
Quite idle, all with rust o'ergrown!
You better might employ your parts,
And aid the sempstress in her arts;
But tell me how the friendship grew
Between that paltry flint and you.'

'Friend, (says the Needle) cease to blame ; I follow real worth and fame.

Know'st thou the loadstone's pow'r and art, That virtue virtues can impart?

Of all his talents I partake,

Who then can such a friend forsake?

'Tis I direct the pilot's hand

To shun the rocks and treacherous sand:

By me the distant world is known,

And either India is our own.

Had I with milliners been bred,

What had I been? the guide of thread;
And drudg❜d as vulgar Needles do,

Of no more consequence than you.'

THE SHEPHERD'S DOG AND THE WOLF.

A WOLF, with hunger fierce and bold,
Ravag'd the plains, and thinn'd the fold;
Deep in the wood secure he lay,

The thefts of night regal'd the day.
In vain the shepherd's wakeful care
Had spread the toils, and watch'd the snare;
In vain the dog pursued his pace,
The fleeter robber mock'd the chase.

As Lightfoot rang'd the forest round,
By chance his foe's retreat he found.
'Let us awhile the war suspend,

And reason as from friend to friend.'

'A truce?' replies the Wolf. 'Tis done.

The Dog the parley thus begun.

'How can that strong intrepid mind

Attack a weak defenceless kind?

Those jaws should prey on nobler food,
And drink the boar's and lion's blood.
Great souls with generous pity melt,
Which coward tyrants never felt.
How harmless is our fleecy care!
Be brave, and let thy mercy spare.'
'Friend, (says the Wolf) the matter weigh;
Nature design'd us beasts of prey;

As such, when hunger finds a treat,
'Tis necessary Wolves should eat.
If, mindful of the bleating weal,
Thy bosom burn with real zeal,
Hence, and thy tyrant lord beseech;
To him repeat the moving speech;
A Wolf eats sheep but now and then,
Ten thousands are devour'd by men.
open foe may prove a curse,
But a pretended friend is worse.'

An

THE PAINTER

WHO PLEASED NOBODY AND EVERYBODY.

LEST men suspect your tale untrue,

Keep probability in view.

The traveller leaping o'er those bounds,

The credit of his book confounds.

Who with his tongue hath armies routed,
Makes ev❜n his real courage doubted.

But flattery never seems absurd ;
The flatter'd always take your word:
Impossibilities seem just:

They take the strongest praise on trust.

Hyperboles, though ne'er so great,
Will still come short of self-conceit.
So very like a Painter drew,
That every eye the picture knew ;
He hit complexion, feature, air,
So just, the life itself was there.
No flattery with his colours laid,
To bloom restor'd the faded maid;
He gave each muscle all its strength;
The mouth, the chin, the nose's length;
His honest pencil touch'd with truth,
And mark'd the date of age and youth.

He lost his friends, his practice fail'd;
Truth should not always be reveal'd:
In dusty piles his pictures lay,
For no one sent the second pay.
Two bustos, fraught with every grace,
A Venus' and Apollo's face,

He plac'd in view: resolv'd to please,
Whoever sat he drew from these,
From these corrected every feature,
And spirited each awkward creature.

All things were set; the hour was come,

His pallet ready o'er his thumb;

My Lord appear'd; and, seated right,

In proper attitude and light,

The Painter look'd, he sketch'd the piece,
Then dipt his pencil, talk'd of Greece,
Of Titan's tints, of Guido's air;
'Those eyes, my Lord, the spirit there

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