particular portions of property over other equal portions. And this would content us. Such a reform would, according to Mr. Mill, establish an aristocracy of wealth, and leave the community without protection and exposed to all the evils of unbridled power. Most willingly would we stake the whole controversy between us on the success of the experiment which we propose.

SOUTHEY'S COLLOQUIES. (JAN. 1830.)

Sir Thomas More; or, Colloquies on the Progress and Prospects of Society. By ROBERT SOUTHEY, Esq. LL.D., Poet Laureate. 2 vols. 8vo. London : 1829.

It would be scarcely possible for a man of Mr. Southey's talents and acquirements to write two volumes so large as those before us, which should be wholly destitute of information and amusement. Yet we do not remember to have read with so little satisfaction any equal quantity of matter, written by any man of real abilities. We have, for some time past, observed with great regret the strange infatuation which leads the Poet Laureate to abandon those departments of literature in which he might excel, and to lecture the public on sciences of which he has still the very alphabet to learn. He has now, we think, done his worst. The subject which he has at last undertaken to treat is one which demands all the highest intellectual and moral qualities of a philosophical statesman, an understanding at once comprehensive and acute, a heart at once upright and charitable. Mr. Southey brings to the task two faculties which were never, we believe, vouchsafed in measure so copious to any human being, the faculty of believing without a reason, and the faculty of hating without a provocation.

It is, indeed, most extraordinary, that a mind like Mr. Southey's, a mind richly endowed in many respects by nature, and highly cultivated by study, a mind which has exercised considerable influence on the most enlightened generation of the most enlightened people that ever existed, should be utterly destitute of the power of discerning truth from falsehood. Yet such is the fact. Government is to Mr. Southey one of the fine arts. He judges of a theory, of a public measure, of a religion or a political party, of a peace or a war, as men judge of a picture or a statue, by the effect produced on his imagination. A chain of associations is to him what a chain of reasoning is to other men; and what he calls his opinions are in fact merely his tastes.

Part of this description might perhaps apply to a much greater man, Mr. Burke. But Mr. Burke assuredly possessed an understanding admirably fitted for the investigation of truth, an understanding stronger than that of any statesman, active or speculative, of the eighteenth century, stronger than every thing, except his own fierce and ungovernable sensibility Hence he generally chose his side like a fanatic, and defended it like a philosopher. His conduct on the most important occasions of his life, at the time of the impeachment of Hastings for example, and at the time of the French Revolution, seems to have been prompted by those feelings and motives which Mr. Coleridge has so happily described,

"Stormy pity, and the cherish'd lure

Of pomp, and proud precipitance of soul."

Hindostan, with its vast cities, its gorgeous pagodas, its infinite swarms of dusky population, its long-descended dynasties, its stately etiquette, excited in a mind so capacious, so imaginative, and so susceptible, the most intense interest. The peculiarities of the costume, of the manners, and of the laws, the very mystery which hung over the language and origin of the people, seized his imagination. To plead under the ancient arches of Westminster Hall, in the name of the English people, at the bar of the English nobles, for great nations and kings separated from him by half the world, seemed to him the height of human glory. Again, it is not difficult to perceive that his hostility to the French Revolution principally arose from the vexation which he felt at having all his old political associations disturbed, at seeing the well known landmarks of states obliterated, and the names and distinctions with which the history of Europe had been filled for ages at once swept away. He felt like an antiquary whose shield had been scoured, or a connoisseur who found his Titian retouched. But, however he came by an opinion, he had no sooner got it than he did his best to make out a legitimate title to it. His reason, like a spirit in the service of an enchanter, though spell-bound, was still mighty. It did whatever work his passions and his imagination might impose. But it did that work, however arduous, with marvellous dexterity and vigour. His course was not determined by argument; but he could defend the wildest course by arguments. more plausible than those by which common men support opinions which they have adopted after the fullest deliberation. Reason has scarcely ever displayed, even in those well

constituted minds of which she occupies the throne, so much power and energy as in the lowest offices of that imperial servitude.

Now in the mind of Mr. Southey reason has no place at all, as either leader or follower, as either sovereign or slave. He does not seem to know what an argument is. He never uses arguments himself. He never troubles himself to answer the arguments of his opponents. It has never occurred to him, that a man ought to be able to give some better account of the way in which he has arrived at his opinions than merely that it is his will and pleasure to hold them. It has never occurred to him that there is a difference between assertion and demonstration, that a rumour does not always prove a fact, that a single fact, when proved, is hardly foundation enough for a theory, that two contradictory propositions cannot be undeniable truths, that to beg the question is not the way to settle it, or that when an objection is raised, it ought to be met with something more convincing than "scoundrel" and "blockhead."

It would be absurd to read the works of such a writer for political instruction. The utmost that can be expected from any system promulgated by him is that it may be splendid and affecting, that it may suggest sublime and pleasing images. His scheme of philosophy is a mere day-dream, a poetical creation, like the Domdaniel cavern, the Swerga, or Padalon; and indeed it bears no inconsiderable resemblance to those gorgeous visions. Like them, it has something of invention, grandeur, and brilliancy. But, like them, it is grotesque and extravagant, and perpetually violates even that conventional probability which is essential to the effect of works of art.

The warmest admirers of Mr. Southey will scarcely, we think, deny that his success has almost always borne an inverse proportion to the degree in which his undertakings have required a logical head. His poems, taken in the mass, stand far higher than his prose works. His official Odes indeed, among which the Vision of Judgment must be classed, are, for the most part, worse than Pye's and as bad as Cibber's; nor do we think him generally happy in short pieces. But his longer poems, though full of faults, are nevertheless very extraordinary productions. We doubt greatly whether they will be read fifty years hence; but that, if they are read, they will be admired, we have no doubt whatever.

But, though in general we prefer Mr. Southey's poetry to his prose, we must make one exception. The Life of Nelson

is, beyond all doubt, the most perfect and most delighful of his works. The fact is, as his poems most abundantly prove, that he is by no means so skilful in designing as in filling up. It was therefore an advantage to him to be furnished with an outline of characters and events, and to have no other task to perform than that of touching the cold sketch into life. No writer, perhaps, ever lived, whose talents so precisely qualified him to write the history of the great naval warrior. There were no fine riddles of the human heart to read, no theories to propound, no hidden causes to develope, no remote consequences to predict. The character of the hero lay on the surface. The exploits were brilliant and picturesque. The necessity of adhering to the real course of events saved Mr. Southey from those faults which deform the original plan of almost every one of his poems, and which even his innumerable beauties of detail scarcely redeem. The subject did not require the exercise of those reasoning powers the want of which is the blemish of his prose. It would not be easy to find, in all literary history, an instance of a more exact hit between wind and water. John Wesley and the Peninsular War were subjects of a very different kind, subjects which required all the qualities of a philosophic historian. In Mr. Southey's works on these subjects, he has, on the whole, failed. Yet there are charming specimens of the art of narration in both of them. The Life of Wesley will probably live. Defective as it is, it contains the only popular account of a most remarkable moral revolution, and of a man whose eloquence and logical acuteness might have made him eminent in literature, whose genius for government was not inferior to that of Richelieu, and who, whatever his errrors may have been, devoted all his powers, in defiance of obloquy and derision, to what he sincerely considered as the highest good of his species. The History of the Peninsular War is already dead: indeed, the second volume was dead-born. The glory of producing an imperishable record of that great conflict seems to be reserved for Colonel Napier.

The Book of the Church contains some stories very prettily told. The rest is mere rubbish. The adventure was manifestly one which could be achieved only by a profound thinker, and one in which even a profound thinker might have failed, unless his passions had been kept under strict control. But in all those works in which Mr. Southey has completely abandoned narration, and has undertaken to argue moral and political questions, his failure has been complete