Of clamorous infants and laborious man The clattering hubbub of the busy scene. Duteous to yield; and, yet more welcome, sees, Of true love breath'd; and breath'd in sweeter sound Of thine own streams when hush'd are all the woods. It is the good dame's school, and in shall throng The frequent stone; dividing thy smooth waves. That little lawless multitude, which late, Walk by their parents' side; while from each hand, To neighbouring farm, and cot. There we may trust Shedding a daily beauty on his life, That makes his doctrine saintly; while, combin'd, As the soft scene now mirror'd on thy breast; Whose touch is Genius, and whose life is Love. LINES Inscribed on a Monument, erected to the Memory of Dr. Small, in a sequestered Grove, ut Soho, near Birmingham. BY DR. DARWIN. YE gay and young, who thoughtless of your doom, Shun the disgustful mansions of the dead, Where Melancholy broods o'er many a tomb, If chance ye enter these sequester'd groves, Here, while no titled dust, no sainted bone, Cold Contemplation leans her aching head, For Science, Virtue, and for SMALL, she mourns. THE DREAM. FROM THE LATIN OF J. LEOCH *. Lov'p of the Muse to Venus dear, * John Leuch, the correspondent of Drummond the poet, published his Musa Priores at London, in 1620, on his return from his travels. He appears to have been born in Mar, and to have been the son of a clergyman. In one of his eclogues, he complains of having been deprived of part of his patrimony by the Duke of Leven. He studied philosophy at Aberdeen; and, when at Poictiers, applied to civil law. After his return to Britain, he lived in habits of familiarity with all the Scotish wits of the age, as Scot of Scotstarvet, Drummond of Hawthornden, whom he sometimes terms "Spinifer Damon," Alexander, Earl of Stirling; Seton, Earl of Dumfermline; and Hamilton, Earl of Melrose. He dedicates his Love poems to William Earl of Pembroke, nephew of Sir Philip Sidney. His Musæ Priores, the verses of which sometimes possess considerable elegance and fluency of stile, consist of his Eroticon, or love verses, written in imitation of the ancient models; his Idyllia, and his Epigrammata. He defends the freedom of some of his love verses by the old apology of Catullus, that his life was chaste, though his verse was wanton; or, as Goldsmith expresses it, "His conduct still right, and his argument wrong." In the preface to his Idyllia he claims some degree of merit for the variety, as well as for the originality of his stile. "Quotus enim quisque est, qui tam varia in hoc genere aggressus? namque, ut Bucolica excipias, in quibus non pauci; quis oro, præter Sanazarium, Piscatorias Eclogas; quis præter Hugonem Grotium, Nauticas tentavit? et illius, quod dolori maximo esse possit, equid præter unicum Nauticum exstat Idyllium? In Ampelicis, nullus, quod sciam. Hactenus primus ego illas agressus, nondum tamen ingressus." The Ampelic clogue, or Song of the Vintagers, was probably attempted in imi Thou, gifted Bard, canst best explain Ere night's bright wain her course had run, O'er the level lawn we flew ; The grove's deep shadow round us grew; Deep within a soft retreat, Flow'd a spring with murmur sweet. Softly whisper'd Venus' son: tation of the Italians. A long poem in this stile was composed by Tansillo, and denominated Il Vendemiatore. On the departure of our author from Paris, in 1620, the following Poetical Address was published, and inscribed to him. "Sylva, Leochæo suo, Sacra, sive Lycida Desiderium," a Georg. Camerario, Scoto, Paris 1620. |