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Great Britain.' The second volume, in distinct parts, appeared in 1796 and 1799. "Few works have been given to the world in which the history of past times, the familiar manners of our ancestors, and the progress of their arts have received such accurate and copious investigation. In the introduction to the first volume, he enters on a large field of inquiry,-the mode of interment, and the construction of monuments, from the earliest ages to that which is now practised in Europe. Somewhat of this ground he again goes over in the introduction to the second; and throughout the work he produces ample reason for inveighing against the ravages of conquerors,-the devastation of false zeal and fanaticism,-the depredations of ignorance, interest, and false taste, the defacements of the white-washer's brush,—and a variety of other circumstances, which, beside the ever-wasting hand of time, have all contributed to destroy the sepulchral monuments of our ancesIn this work he professes to have neither the object, the plan, nor the method of an historian." "Our materials," he says, "are different, and my plan adopts only what his excludes; great events, great personages, great characters, good or bad, are all that he brings upon the stage:

tors.

'I talk of graves, of worms, and epitaphs,
And that small portion of the barren earth
That serves as paste and covering to our bones!'

Mine are subjects rejected by the historian to the end of each reign, among the prodigies that distinguish it; yet is this detail not uninteresting. It is a picture of private mixed with public life, a subject in which my countrymen have been anticipated by their neighbours."

The engravings which accompany it are numerous and splendid. In 1794 he published an account of the beautiful missal presented to Henry VI. by the duchess of Bedford. Mr Gough's last works were the 'History and Antiquities of Pleshy, in the county of Essex,' London, 1803, 4to. and Plates of the Coins of the Pelucidæ.'

He died in 1809. To the university of Oxford he bequeathed all his collections on northern literature and British topography.

Anna Seward.

BORN A. D. 1747.-DIED a. D. 1809.

MISS SEWARD's father was the Rev. Thomas Seward, rector of Eyam in Derbyshire, prebendary of Salisbury, and canon-residentiary of Litchfield. In his youth he had travelled as tutor with Lord Charles Fitzroy, third son of the duke of Grafton, who died upon his travels in 1739. Mr Seward returned to England, and soon after married Miss Elizabeth Hunter, daughter of Mr Hunter, head-master of the school at Litchfield. In 1747, the second year of his marriage, Miss Seward was born. She had several sisters, and one brother, but none survived the period of infancy, except Miss Sarah Seward. "Mr Seward,"

says Sir Walter Scott, "was himself a poet; and a manuscript collection of his fugitive pieces is now lying before me, the bequest of my honoured friend when she intrusted me with the task which I am now endeavouring to discharge. Several of these effusions were printed in

Dodsley's Collection, vol. ii. towards the close. Mr Seward was also an admirer of our ancient drama; and, in 1750, published an edition of Beaumont and Fletcher's plays, which, though falling beneath what is expected from the accuracy and investigation of later dramatic authors, evinces a scholar-like degree of information, and a high relish for the beauties of his authors. Thus accomplished himself, the talents of his eldest daughter did not long escape his complacent observation. He early introduced her to Milton and Shakspeare; and I have heard her say, that she could repeat passages from the Allegro before she was three years old."

The romantic hills of Derbyshire, where the village of Eyam is situated, favoured the instructions of her father. His pupil imbibed a strong and enthusiastic partiality for mountain scenery, and the pleasures of landscape, which was a source of great enjoyment during her after life. Her father's taste was rigidly classical, and the authors to whom Miss Seward was introduced were those of Queen Anne's reign. She was early familiar with the works of Pope, Young, Prior, and their predecessor Dryden; and, in later life, used to admire no poetry of an older date, excepting only that of Shakspeare and Milton.

Mr Seward, about the year 1754, removed his family to Litchfield. "The classical pretensions of this city," Scott observes, "were exalted by its being the residence of Dr Darwin, who soon distinguished and appreciated the talents of our young poetess. At this time, however, literature was deemed an undesirable pursuit for a young lady in Miss Seward's situation,-the heiress of an independent fortune, and destined to occupy a considerable rank in society. Her mother, though an excellent woman, possessed no taste for her daughter's favourite amusements; and even Mr Seward withdrew his countenance from them, probably under the apprehension that his continued encouragement might produce in his daughter that dreaded phenomenon, a learned lady." Poetry was therefore prohibited, and Miss Seward resorted to other amusements and to the practice of ornamental needlework, in which she is said to have excelled. Thus rolled on time for nearly ten years, after her father had settled at Litchfield.

In 1764 a heavy calamity took place in Mr Seward's family. Saralı, his younger daughter, had been for some time on the eve of forming a matrimonial connexion with Mr Porter, a merchant at Leghorn, brother to Miss Lucy Porter of Litchfield. Miss Anna Seward was to have accompanied her sister to Italy, but these flattering prospects were clouded by the sickness and death of the young and lovely bride. An affecting account of this distressing calamity occurs in Miss Seward's correspondence. Mr Porter appears afterwards to have intimated a wish to transfer his attachment to the surviving sister; but it was discouraged. In this Miss Seward showed at once the greatest respect for the memory of her sister, and her own mental delicacy. It is plain, that the attachment of the lover was to the deceased bride, for he had eyes, and chose her; therefore, though we will not suppose one single spark of pride entered into the composition of Anna Seward, yet a strong idea of propriety in this transaction was apparent. She would have expected little happiness in a union rather emanating from compliment than passion; she could not suffer her deceased sister's wed ding-cheer, Coldly to furnish out her marriage-table.'

The blank in the domestic society of Miss Seward was supplied by the attachment of Miss Honoria Sneyd, then residing in her family. This young lady was afterwards married to Mr Edgeworth. "After the death of Miss Sarah Seward," Mr Scott continues, "her sister's society became indispensable to her parents, and she was never separated from them. Offers of matrimonial establishments occurred, and were rejected, in one instance entirely, and in others chiefly, from a sense of filial duty. As she was now of an age to select her own society and studies, Miss Seward's love for literature was indulged; and the sphere in which she moved was such as to increase her taste for its pursuits. Dr Darwin, Mr Day, whose opinions formed singular specimens of English philosophy, Mr Edgeworth, Sir Brooke Boothby, and other names well known in the literary world, then formed part of the Litchfield society. The celebrated Dr Johnson was an occasional visitor of their circles; but he seems, in some respects, to have shared the fate of a prophet in his own country: neither Dr Darwin nor Miss Seward were partial to the great moralist. There was perhaps some aristocratic prejudice in their dislike; for the despotic manners of Dr Johnson were least likely to be tolerated where the lowness of his origin was in fresh recollection. At the same time, Miss Seward was always willing to do justice to his native benevolence, and to the powerful grasp of his intellectual powers, and possessed many anecdotes of his conversation which had escaped his most vigilant recorders. These she used to tell with great humour, and with a very striking imitation of the sage's peculiar voice, gesture, and manner of delivery."

The revival of the poetical ardour of Miss Seward is, in some degree, attributed to her acquaintance with Lady Miller, whose fanciful and romantic institution at Bath-Easton was then the subject of public attention. The applause of the selected circle of poetical contributors, among whom the names of Hayley and Anstey appear, encouraged Miss Seward to send some of her essays to the press; and the world received with great applause the elegiac commemorations of Andrè and Cooke. Personal friendship for the brave and unfortunate sufferer, and the ill-fated attachment of her friend, Miss Sneyd, induced the first: the second was the spontaneous tribute of admiration and gratitude.

In the year 1780 Mrs Seward died; and, in 1790, the scene closed by the death of Mr Seward. His daughter remained mistress of an easy and independent fortune, and continued to inhabit the bishop's palace at Litchfield which had been long her father's residence, and was hers until her death. "Miss Seward," says Mr Scott, "when young, must have been exquisitely beautiful; for in advanced age, the regularity of her features, the fire and expression of her countenance, gave her the appearance of beauty, and almost of youth. Her eyes were auburn, of the precise shade and hue of her hair, and possessed great expression. In reciting, or speaking with animation, they appeared to become darker, and as it were, to flash fire. I should have hesitated to state the impression which the peculiarity made upon me at the time, had not my observation been confirmed by that of the first actress of this or any other age, with whom I lately happened to converse on our deceased friend's expressive powers of countenance. Miss Seward's tone of voice was melodious, guided by excellent taste, and well-suited to reading and recitation, in which she willingly exercised. She did

not sing, nor was she a great proficient in music, though very fond of it, having studied it later in life than is now usual. Her stature was tall, and her form was originally elegant: but having broken the patella of the knee by a fall, in the year 1768, she walked with pain and difficulty, which increased with the pressure of years." In 1784 she produced a poetical novel, entitled 'Louisa,' which became popular, and passed through several editions. Her last publication was Memoirs of the life of Dr Darwin;' in which she lays claim to the lines at the commencement of The Botanic Garden,' though unacknowledged by the author. Miss Seward died at Litchfield, in March, 1809, leaving the copyright of her miscellaneous works to Sir Walter Scott, who published them in three volumes. Her other poems are 'Langollen Vale,' a volume of Sonnets,' and some paraphrases of Horace.

Mr Polwhele, among his prose illustrations subjoined to his poem of 'Unsexed Females,' thus speaks of the object of this memoir: "Miss Seward's poems are 'thoughts that breathe, and words that burn;' and he who hesitates to allow this lady a very first place among the female poets of the country, must be grossly deficient in taste. Her Cooke,' her André,' her Louisa,' are all first-rate performances. Either of these enchanting poems would be sufficient to immortalize the name of Seward."

Matthew Boulton.

BORN A. D. 1728.-DIED A. D. 1809.

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MR BOULTON was born at Birmingham, on the 3d of September, O. S., 1728. He was the son of Mr Matthew Boulton, hardware-manufacturer; and was educated principally at Deretend, in the academy of the Rev. Mr Ansted.

At the early age of seventeen he invented, and afterwards rapidly brought to great perfection, the inlaid steel buckles, buttons, watchchains, trinkets, &c. which were for so many years in great request. Of these, vast quantities were exported to France; whence they were repurchased with avidity by the English beaux, as the offspring of French ingenuity.

In 1762 Mr Boulton, who had inherited considerable property at the death of his father, very naturally sought a larger scope for his industry than could be conveniently found within the walls of a town. He purchased, therefore, a lease of the Soho, near Handsworth, in Staffordshire, about two miles from Birmingham; at that time a barren heath, on the bleak summit of which stood a naked hut, the habitation of a poor warrener. These dreary tracts of common were converted by Mr Boulton into the present extensive and superb manufactory, of which he laid the foundation at an expense of nearly ten thousand pounds; and in 1794 he purchased the fee-simple of Soho, and much of the adjoining land.

Until the year 1767 Mr Boulton had carried on his works by means of water-mills; but the power of this element thus applied, even aided as it was by the strength of horses, was found very inadequate to the extent of his designs. In this year, therefore, he had recourse to that

master-piece of human ingenuity, the steam-engine. That which he first constructed was on Captain Savary's plan; but it fell far short of his purposes. Two years after this, however, he formed an intimate acquaintance with Mr James Watt, of Glasgow, who had obtained a patent for an important improvement in the steam-engine, and soon induced him to come and settle at Soho. In 1775, so obvious were the advantages of Mr Watt's improvement, that parliament prolonged his patent for 25 years. These two ingenious men now formed a partnership; and, under the direction of Messrs Boulton and Watt, a very extensive manufactory of these engines was established at Soho, whence most of the great mines and manufactories in England still continue to be supplied.

About the year 1788 Mr Boulton projected a conversion of the steam-engine to the purpose of coinage; and he brought his coiningmill to amazing perfection. He was employed by the government to coin halfpence, penny and twopenny pieces; and he so ingeniously contrived their form and structure, as to render counterfeiting apparently impossible. Speaking of Mr Boulton's mode of applying the steam-engine to the purpose of coining, Dr Darwin said, "the whole of this expensive and magnificent apparatus moves with such superior excellence and cheapness of workmanship, as well as works with such powerful machinery, as must totally prevent clandestine imitations, and in consequence save many lives from the hands of the executioner ;-a circumstance worthy the attention of a great minister. If a civic crown was given in Rome for preserving the life of one citizen, Mr Boulton should be covered with a garland of oak." The impression of the coin, being on a concave ground, is less liable to friction, and of course the coin will be more durable than coinage on a flat surface could be expected to be. From Mr Boulton's mint also issued coinages of copper for the East India Company, of silver for the Sierra Leone Company, and two complete coinages for the Russian government.

On the 30th of December, 1797, Mr Boulton, pursuing his publicspirited projects, obtained a patent for an apparatus and method of raising water and other fluids. After a long life spent in cultivating and adorning a desert part of the country, in bringing to it a large and industrious population, and in rendering industry useful, and taste ornamental, to the manufactures of the country, Mr Boulton quitted this life, on the 17th of August, 1809, at the advanced age of fourscore and one

David Pitcairn.

BORN A. D. 1749.-DIED A. D. 1809.

DAVID PITCAIRN, M. D., was the eldest son of Major John Pitcairn of the marines, who was killed in the attack upon Bunker's Hill, in 1775, and Elizabeth, daughter of Robert Dalrymple, Esq., of Annefield, in the county of Dumfries. His paternal family was one of the most ancient in Fifeshire. It derives its name from a landed possession called Pitcairn, of which Nisbitt, in his Heraldry, says, he has seen a charter dated in 1417. In the course of time, one of the family acquired, by marriage, the estate of Forther, in the same county; after which the

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