Modern Satire: Four Studies |
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Страница 50
The approach of Lesley Milne differs from Jovanović ' s in that Milne believes that
the " combination of the sacred - sublime with the carnivalprofane has its roots
deep in the folk traditions and can be examined on a philosophical and ...
The approach of Lesley Milne differs from Jovanović ' s in that Milne believes that
the " combination of the sacred - sublime with the carnivalprofane has its roots
deep in the folk traditions and can be examined on a philosophical and ...
Страница 51
20 Milne resolves the contradiction by listing the Master , Woland , and
Bezdomny as “ aspects of the one creative personality " ( p . 22 ) . Taking a cue
from Makarovskaya and Zhuk ( p . 172 ) , Milne calls Woland a satirist , “ the
sardonic Prince ...
20 Milne resolves the contradiction by listing the Master , Woland , and
Bezdomny as “ aspects of the one creative personality " ( p . 22 ) . Taking a cue
from Makarovskaya and Zhuk ( p . 172 ) , Milne calls Woland a satirist , “ the
sardonic Prince ...
Страница 144
Milne , p . 11 ; Milne also notes the symbolism of the roses . If we look at the
happenings of the novel through the prism of Christian symbolism , such as G .
Ferguson compiled in Signs and Symbols in Christian Art ( London : Oxford Univ .
Milne , p . 11 ; Milne also notes the symbolism of the roses . If we look at the
happenings of the novel through the prism of Christian symbolism , such as G .
Ferguson compiled in Signs and Symbols in Christian Art ( London : Oxford Univ .
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Съдържание
Introduction | 1 |
A | 135 |
Selected Bibliography | 151 |
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