Modern Satire: Four StudiesMouton, 1982 - 162 страници |
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Страница 50
... Milne differs from Jovanović's in that Milne believes that the “ combination of the sacred - sublime with the carnival- profane has its roots deep in the folk traditions and can be examined on a philosophical and anthropological plane ...
... Milne differs from Jovanović's in that Milne believes that the “ combination of the sacred - sublime with the carnival- profane has its roots deep in the folk traditions and can be examined on a philosophical and anthropological plane ...
Страница 51
... Milne resolves the contradiction by listing the Master , Wo- land , and Bezdomny as " aspects of the one creative personality " ( p . 22 ) . Taking a cue from Makarovskaya and Zhuk ( p . 172 ) , Milne calls Woland a satirist , " the ...
... Milne resolves the contradiction by listing the Master , Wo- land , and Bezdomny as " aspects of the one creative personality " ( p . 22 ) . Taking a cue from Makarovskaya and Zhuk ( p . 172 ) , Milne calls Woland a satirist , " the ...
Страница 144
... Milne , p . 11 ; Milne also notes the symbolism of the roses . If we look at the happen- ings of the novel through the prism of Christian symbolism , such as G. Ferguson compiled in Signs and Symbols in Christian Art ( London : Oxford ...
... Milne , p . 11 ; Milne also notes the symbolism of the roses . If we look at the happen- ings of the novel through the prism of Christian symbolism , such as G. Ferguson compiled in Signs and Symbols in Christian Art ( London : Oxford ...
Съдържание
Introduction | 1 |
Parody | 12 |
The Works to be Discussed | 21 |
Авторско право | |
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