Controversy in Literature: Fiction, Drama, and Poetry, with Related CriticismMorris Freedman, Paul Benjamin Davis Scribner, 1968 - 750 страници |
Между кориците на книгата
Резултати 1 - 3 от 82.
Страница 402
... leave . . . do you , Com- modore ? After all , the night is still so young and you haven't even seen my husband yet . We shared such love for so many years , Com- modore . I would so regret if you had to leave without seeing him . And ...
... leave . . . do you , Com- modore ? After all , the night is still so young and you haven't even seen my husband yet . We shared such love for so many years , Com- modore . I would so regret if you had to leave without seeing him . And ...
Страница 414
... leave ? ROSALIE : Perhaps . ( He carries them all into the bedroom and sets them down next to the bed . He looks ... leave with me . JONATHAN : The bedroom ? ROSALIE : The hotel . The island . Your mother . Leave with me , Jonathan ...
... leave ? ROSALIE : Perhaps . ( He carries them all into the bedroom and sets them down next to the bed . He looks ... leave with me . JONATHAN : The bedroom ? ROSALIE : The hotel . The island . Your mother . Leave with me , Jonathan ...
Страница 703
... leaves one cloyed and not above human passion in general , he misses the point . For Keats in the " Ode " is stressing the ironic fact that all human passion does leave one cloyed ; hence the superiority of art . ) The purpose in ...
... leaves one cloyed and not above human passion in general , he misses the point . For Keats in the " Ode " is stressing the ironic fact that all human passion does leave one cloyed ; hence the superiority of art . ) The purpose in ...
Съдържание
The Scope of Swifts Satire | 3 |
Ambiguity and Mystery in Hawthorne | 15 |
NATHANIEL HAWTHORNE | 26 |
Авторско право | |
34 други раздела не са показани
Други издания - Преглед на всички
Често срещани думи и фрази
Abraham Absurd ANDERSON answer appear asked ASLAKSEN beauty become believe brother BURGOMASTER called close comes course CREON criticism dead dear death door DUDGEON effect expression eyes face fact faith father fear feeling follow give goes hand happy head hear heard heart hold HOVSTAD human idea interpretation JONATHAN JUDITH keep leave light live look MADAME ROSEPETTLE meaning mind mother move nature never night NUMBER once passed perhaps PETRA play poem poet poetry present question reality RICHARD ROSALIE seems sense soul speak stand STOCKMANN story sure tell Theatre thee thing thou thought town true truth turn understand veil voice waiter walks whole young