Controversy in Literature: Fiction, Drama, and Poetry, with Related CriticismMorris Freedman, Paul Benjamin Davis Scribner, 1968 - 750 страници |
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Страница 558
... feeling of the words but simply the feeling of the rhythm . ” 51 Yeats gradually worked himself around to the same conclusion . In " Leda and the Swan , " therefore , as in most of his later lyrics , Yeats not only chose a meter close ...
... feeling of the words but simply the feeling of the rhythm . ” 51 Yeats gradually worked himself around to the same conclusion . In " Leda and the Swan , " therefore , as in most of his later lyrics , Yeats not only chose a meter close ...
Страница 662
... feeling , of emotion , which seems to us most nearly ourselves and which , because it is always in flux , always shifting and changing and flowing away , is , of all parts of our experience of our lives , most difficult to know . We ...
... feeling , of emotion , which seems to us most nearly ourselves and which , because it is always in flux , always shifting and changing and flowing away , is , of all parts of our experience of our lives , most difficult to know . We ...
Страница 710
... feeling after , but one that makes the end of the poem positively satisfying . The essential dramatic process is that by feeling the beauty of the pot Keats is led to make reflec- tions on human life . Its beauty can be said to be ...
... feeling after , but one that makes the end of the poem positively satisfying . The essential dramatic process is that by feeling the beauty of the pot Keats is led to make reflec- tions on human life . Its beauty can be said to be ...
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The Scope of Swifts Satire | 3 |
Ambiguity and Mystery in Hawthorne | 15 |
NATHANIEL HAWTHORNE | 26 |
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Abraham Absurd ANDERSON answer appear asked ASLAKSEN beauty become believe brother BURGOMASTER called close comes course CREON criticism dead dear death door DUDGEON effect expression eyes face fact faith father fear feeling follow give goes hand happy head hear heard heart hold HOVSTAD human idea interpretation JONATHAN JUDITH keep leave light live look MADAME ROSEPETTLE meaning mind mother move nature never night NUMBER once passed perhaps PETRA play poem poet poetry present question reality RICHARD ROSALIE seems sense soul speak stand STOCKMANN story sure tell Theatre thee thing thou thought town true truth turn understand veil voice waiter walks whole young