Representing the Woman: Cinema and Psychoanalysis

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Springer, 10.01.1997 г. - 397 страници
Representing the Woman: Cinema and Psychoanalysis examines the theory and politics of representation in narrative film. Questioning current accounts of cinema's pleasures for men and women, Elizabeth Cowie draws on the psychoanalytic theory of Freud and Lacan to propose a new understanding of the relation of identification, fantasy and the drives, and of voyeurism and fetishism to the pleasures of cinema and to the making of the feminine and masculine spectators of film.

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Съдържание

Feminist Arguments
15
Narrative Positions and the Placing of the Woman
36
Identifying in the Cinema
72
Fantasia
123
The Partiality of the Drives and the Pleasures
166
Female Sexuality Feminine Identification and
222
Figuring the Fetish
261
The Fetish of Ideology
282
Notes and References
316
Index
388
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