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Elementary Feeling . . . . . .
346 THEODRIC; A DOMESTIC TALE . .
317 MISCELLANEOUS Porus:
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To the Spade of a Fricad ... 356 Notes . . . . . . . . .
MISS L. E. LANDON.
On a Line of Salvator Rosa . .. 566
Sabbath-days Tås IMPROVISATRIOS . . . . . . 441
. . . . . . . .
To the River Deben . . . . . . 567
The twelve Months of Human Life 567
569 POETICAL SKETCHES OF MODERN PICTURES: Portrait of a Lady . . . . . . 522
A Portrait . . . . . . . .
. Juliet after the Masquerade . . . 522
Infancy . . . . . . . . . .
572 The Combat . . . . . . . . 523
Boyhood . . .': .
572 The Fairy-queen sleeping . . . . 523
Manhood . . . .
572 The Oriental Nosegay · · · · ·
Old Age · · · · · · · ·
Wither'd Leaves . . . . . . . 573 Fairies on the Sea-shore . . .
Sir Philip Sidncy · · · · · · ·
573 A Child screening a Dove froin a Hawk 526 The Dead . . . . . . . ..
574 Cupid and Swallows flying from Winter . . .
JAMES MONTGOMERY. . . . . . .
. Love nursed by Solitude .... THE WORLD BEFORE THE Flood . . 575 A Girl at her Devotions ....
MISCELLANEOUS POEMS: Nymph and Zephyr . . . . . .
The Time-piece ·
· · · · · MISCELLANEOUS Poems:
Incognita. . . . . . . . Rosalie . .
The Grave . . . . . . . . . . . .
. Roland's Tower . .
A Field-flower, ...
613 The Bayedere...
I he Common Lot..
613 Gladesmuir ...,
The old Man's Song · · · · ·
613 Lines written under a Picture of a
The Mole-hill ..
614 Girl burning a Love-letter . .
Bolehill Trees . . . . . . . . 616 The Painter's Love . . . . . .
EXTRACTS FROM THE PELICAN-ISLAND 617 Manmadin, the Indian Cupid ...
Hymn to the Penates . . . . . BERNARD BARTON.
Rudiger . . . . . . . . . . MISCELLANEOUS Poems:
624 Verses in a Burial-ground .. . Mary, the Maid of the Inn..625 The Valley of Fern . . . . . . 543 Jasper . . . . . . . . .
627 Verses occasioned by an affecting
Lord William . . . . . .
629 Instance of sudden Death ... 545
The Cross-roads . . . . . .
630 Stanzas . · · · · · · · · · · 545 God's Judgment on a Bishop . . . 631 Autuunn . . . . . . . . . . 516 King Charlemain . . . . . . .
632 Verses to an Infant . . . . . . 516 The pious Painter
684 Silent Worship . . . . . . . .
King Henry V. and the Hermit of Verses suggested by an Epitaph. 548
Dreux . . . . . . . . . .
636 Stanzas addressed to some Friends
A Ballad . . . . . . . . . . 636 going to the Sea-side . . . .
St. Romuald . . . . . . . . . 637 Stanzas on the Death of a Friend .
The Rose . . . .
638 Verses to a young Friend . . . .
The Lover's Rock · · · · · · ·
639 Sleep . . . . . . . . .
. . . Stanzas . . .
King Ramiro . . . · · · · · 611 All is Vanity .
Bishop Brano . . . . .
643 To a Friend . .
A true Ballad of St. Antidius, the
Pope, and the Devil
613 The Sea . . . . . . . . . .
Queen Orraca and the five Martyrs
of Morocco . . . . . . . . 644
614 The Quaker Poet. ..
A Ballad . . . . . . . . . .
6.46 Verses to Her who is justly entitled St. Gualberto . . . . . . . . 648 to them . . . . . . . . .
To a Spider . . . . . .
652 To the Windo . . . .
652 Sea-side Thoughts · ·
The Holly-Tree · · · · . .
653 The Jvy . . . .
558 An Ode to Time ..
558 JAMES HOGG. The Poet's Lot .
560) THE QUEEN'S WAKE . . . . . . 655 Flowers . . . Temporals and Spirituals .... 563
563 BARRY CORNWALL. To Death... 563 Marcian COLONNA . . . . . . ...
709 Woman . : : :.. . . .
A Sicilias STORY . . . . . . . 721
. A Relique of Napoleon .... 565) Diego DE MONTILLA . . . . . . 729
The DBATH OF Acis ...... 737 CHARLES LAMB.
. . . MISCELLANEOUS POEMA:
The old Familiar Faces .... A Voice . . . . . . .
A Farewell to Tobacco ... Melancholy . . . . .
To T. L. H. . . . . . .
765 Midsummer-madness. .
To Miss Kelly . . . . ..
765 A Haunted Stream . . .
The Family-namc . . . . . .. 765 Stanzas . . .
745 . . . Wishes
747 | GEORGE CROLY. Flowers . . . . .
747 Serenade . . . . . . . . . . 748
Wedded Love . . . . . . . . 766 A Song . . . . . . . . . . 748 Sonnets . . . . . . . . . . 748
Columbus' first View of America . 766 MISCELLANEOUS POETRY FROM
Fisherinan's Song . . . . . . . 766 VARIOUS AUTHORS.
Song from the Beacon . . . . . 767 WILLIAM GIFFORD.
Pan . . . . . . . .
The Moon JOHN WOLCOTT.
The Eve of St. Agnes . . . . .
Ode to a Nightingale .... Ode to the Glow-worm . . . . 750
Fancy . . . . . . . . . . . To my Candle
HENRY KIRKE WHITE. JOHN CLARE.
To the Herb Rosemary .
Time : :,:.' ..
GEORGE CANNING. Extracts from Anster-Fair. ...
New Morality. · · · · · · ·
· · · ·
Epitaph · · · · · · ·
The Foreboding . . . . . . . 787
Lovers' Presents . . . . LEIGH HUNT.
My Partner . . . . . . . Extract from the Story of Rimini . 7601 Nature . .......
TA LES OF THE HA L L.
P R E FACE.
If I did not fear that it would appear to may again be elevated or depressed by the my readers like arrogancy, or if it did not suggestions of vanity and diffidence, and seem to myself indecorous to send two vo- may be again subject to the cold and hot lumes of considerable magnitude from the fit of aguish expectation; but he is no press without preface or apology, without more a stranger to the press, nor has the oge petition for the reader's attention, or motives or privileges of one who is. With one plea for the writer's defects, I would respect to myself, it is certain they belong most willingly spare myself an address of not to me. Many years have elapsed since this kind, and more especially for these I became a candidate for indulgence as an reasons: first, because a preface is a part inexperienced writer; and to assume the of a book seldom honoured by a reader's language of such a writer now, and to plead perusal; secondly, because it is both diffi- for his indulgences, would be proof of my enlt and distressing to write that which ignorance of the place assigned to me, and we think will be disregarded; and thirdly, the degree of favour which I have expebecause I do not conceive that I am called rienced; but of that place I am not uninnpon for such introductory matter by any formed, and with that degree of favour I of the motives which usually influence an have no reason to be dissatisfied. anthor when he composes his prefatory It was the remark of the pious, but on address.
some occasions the querulons author of When a writer, whether of poetry or the Night Thoughts, that he had been so prose, first addresses the public, he has long remembered, he was forgotten;" an generally something to offer which relates expression in which there is more appearto himself or to his work, and which he ance of discontent than of submission : if considers as a necessary prelude to the he had patience, it was not the patience work itself, to prepare his readers for the that smiles at grief. It is not therefore entertainment or the instruction they may entirely in the sense of the good Doctor Expect to receive; for one of these every that I apply these words to myself, or to man who publishes must suppose he af- my more early publications. So many fords—this the act itself implies; and in years indeed have passed since their first proportion to his conviction of this fact appearance, that I have no reason to commust be his feeling of the difficulty in plain, on that account, if they be now which he has placed himself: the difficulty slumbering with other poems of decent consists in reconciling the implied presump- reputation in their day-not dead indeed, tion of the undertaking, whether to please nor entirely forgotten, but certainly not or to instruct mankind, with the diffidence the subjects of discussion or conversation and modesty of an untried candidate for as when first introduced to the notice of fame or favour. Hence originate the many the public, by those whom the public will reasons an anthor assigns for his appear- not forget, whose protection was credit to ance in that character, whether they ac- their author, and whose approbation was tually exist, or are merely offered to hide fame to them. Still these early publicthe motives which cannot be openly avow- ations had so long preceded any other, that, ed; namely, the want or the vanity of if not altogether unknown, I was, when I the man, as his wishes for profit or repu- came again before the public, in a situatation may most prevail with him.
tion which excused, and perhaps rendered Now, reasons of this kind, whatever they necessary some explanation ; but this also may be, cannot be availing beyond their has passed away, and none of my readers first appearance. An author, it is true, will now take the trouble of making any may again feel his former apprehensions, inquiries respecting my motives for writing or for publishing these Tales or verses of If there be any combination of circumany description : known to each other as stances which may be supposed to afl'ect readers and authors are known, they will the mind of a reader, and in some degree require no preface to bespeak their good to influence his judgment, the junction of will, nor shall I be under the necessity of youth, beauty, and merit in a female writer soliciting the kindness which experience has may be allowed to do this; and yet one of taught me, endeavouring to merit, I shall the most forbidding of titles is Poems by not fail to receive.
a very young Lady,' and this although There is one motive-and it is a power- beauty and merit were largely insinuated. ful one-which sometimes induces an au- Ladies, it is true, have of late little need thor, and more particularly a poet, to ask of any indulgence as authors, and names the attention of his readers to his prefa- may readily be found which rather excite tory address. This is when he has some the envy of man than plead for his lenity. favourite and peculiar style or manner Our estimation of title also in a writer has which he would explain and defend, and materially varied from that of our predechiefly if he should have adopted a mode cessors: Poems by a Nobleman' would of versification of which an uninitiated create a very different sensation in our reader was not likely to perceive either minds from that which was formerly excited the merit or the beauty. In such case it when they were 80 announced. A noble is natural, and surely pardonable, to assert author had then no pretensions to a seat and to prove, as far as reason will bear so secure on the sacred hill,' that authors us on, that such method of writing has not noble, and critics not gentle, dared not both; to show in what the beauty con- attack; and they delighted to take revenge sists, and what peculiar difficulty there is, by their contempt and derision of the poet, which, when conquered, creates the merit. for the pain which their submission and How far any particular poet has or has respect to the man had cost them. But in not succeeded in such attempt is not my our times we find that a nobleman writes, business nor my purpose to inquire. I have not merely as well, but better than other no peculiar notion to defend, no poetical men; insomuch that readers in general heterodoxy to support, nor theory of any begin to fancy that the Muses have relinkind to vindicate or oppose-that which I quished their old partiality for rags and a have used is probably the most cominon garret, and are become altogether aristomeasure in our language; and therefore, cratical in their choice A conceit so well whatever be its advantages or defects, supported by fact would be readily admitthey are too well known to require from ted, did it not appear at the same time, me a description of the one, or an apology that there were in the higher ranks of sofor the other.
ciety men, who could write as tamely, or Perhaps still more frequent than any ex-as absurdly, as they had ever been accused planation of the work is an account of the of doing. We may, therefore, regard anthor himself, the situation in which he the works of any noble author as extrais placed, or ronje circumstances of pecn- ordinary productions, but must not found liar kind in his life, education, or eni ploy- any theory upon them, and, notwithstandment. How often has youth been pleaded ing their appearance, must look on genius for deficiencies or redundancies, for the and talent as we are wont to do on time existence of which youth may be an ex- and chance, that happen indifferently to cuse, and yet be none for their exposure. all mankind. Age too has been pleaded for the errors But whatever influence any peculiar siand failinge in a work which the octoge-tuation of a writer might have, it cannot narian had the discernment to perceive, be a benefit to me, who have no such peand yet had not the fortitude to suppress.culiarity. I must rely upon the willingMany other circumstances are made a polo- ness of my readers to be pleased with that gies for a writer's infirmitics; his much which was designed to give them pleasure, employment and many avocations, adver- and upon the cordiality which naturally sity, necessity, and the good of mankind. springs from a remembrance of our having "These, or any of them, however availing before parted withont any feelings of disin themselves, avail not me. I am neither gust on the one side, or of mortification so young nor so old, so much engaged by on the other. one pursuit, or by many, I am not so With this hope I would conclude the urged by want, or so stimulated by a de- present subject; but I am called upon by sire of public benefit,- that I can borrow duty to acknowledge my obligations, and one apology from the many which I have more especially for two of the following named. How far they prevail with our | Tales:- The Story of Lady Barbara, in readers, or with our judges, I cannot tell; Book XVI. and that of Ellen in Book XVIII. and it is unnecessary for me to inquire The first of these I owe to the kindness into the validity of arguments which I of a fair friend. who will, I hope, accept have not to produce.
the thanks which I very gratefully pay,