Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница xi
... theory of how the arts are perated . In and , to propose a theory of the biological function of artistic behavior as a mode of adaptation of human organism to non - human environment . For a long time I have hoped to find some ...
... theory of how the arts are perated . In and , to propose a theory of the biological function of artistic behavior as a mode of adaptation of human organism to non - human environment . For a long time I have hoped to find some ...
Страница 84
... theory of signs . The American philosopher , Charles Pierce , most of whose work was still in manuscript at his death , was one of the very few philosophers who have been deeply engaged with the problem . Charles W. Morris has continued ...
... theory of signs . The American philosopher , Charles Pierce , most of whose work was still in manuscript at his death , was one of the very few philosophers who have been deeply engaged with the problem . Charles W. Morris has continued ...
Страница 216
... theory has had so little impact . As Kilpatrick put it , aestheticians " have reasoned from object to organism . " The object " having been introduced , it is always present . " In fact , they rarely have reasoned beyond the object ...
... theory has had so little impact . As Kilpatrick put it , aestheticians " have reasoned from object to organism . " The object " having been introduced , it is always present . " In fact , they rarely have reasoned beyond the object ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word