Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 21
... STYLE AND SYMBOL As we have seen , the strong form of Daniells ' assumption is that a particular orientation ... style . That is , scholasticism must produce a certain architectural style . But there are several errors here . The first ...
... STYLE AND SYMBOL As we have seen , the strong form of Daniells ' assumption is that a particular orientation ... style . That is , scholasticism must produce a certain architectural style . But there are several errors here . The first ...
Страница 25
... style . His first error lay in his confusion of emblem with symbol and of symbol with style , and in the spurious connections he made between them . The second error can be un- covered by considering his failure to account for stylistic ...
... style . His first error lay in his confusion of emblem with symbol and of symbol with style , and in the spurious connections he made between them . The second error can be un- covered by considering his failure to account for stylistic ...
Страница 255
... style . But when we apply the term " style " to the historical dimension , when we arrange similar works of art along a chronological line , style emerges only when two or more objects are found to have a trait in common . The semantic ...
... style . But when we apply the term " style " to the historical dimension , when we arrange similar works of art along a chronological line , style emerges only when two or more objects are found to have a trait in common . The semantic ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word