Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 45
... structure . The attributes of aesthetic structure have never been derived from works of art and cannot be . The perception of structure is a transaction . Initially the order is contributed by the perceiver , not by the per- ceptual ...
... structure . The attributes of aesthetic structure have never been derived from works of art and cannot be . The perception of structure is a transaction . Initially the order is contributed by the perceiver , not by the per- ceptual ...
Страница 46
... structure " and " art experience " ( or " the struc- ture of art " and " the experience of art " ) . What these two phrases have in common is the term " art . " One refers to a range of discrete experiences ; the other to a range of ...
... structure " and " art experience " ( or " the struc- ture of art " and " the experience of art " ) . What these two phrases have in common is the term " art . " One refers to a range of discrete experiences ; the other to a range of ...
Страница 126
... structure and poetic truth . Their reasoning seems to have run along lines something like this : Artistic value flows from artistic structure . Since poetry is art ... structure is a unique kind of structure ( 126 Art : The Semantic Aspect.
... structure and poetic truth . Their reasoning seems to have run along lines something like this : Artistic value flows from artistic structure . Since poetry is art ... structure is a unique kind of structure ( 126 Art : The Semantic Aspect.
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word