Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 50
... sequence of behavior consists of ten such ranges . An individual , then , may learn the sequence bdiwlcuent , or xmeoelsmxr , or sycielwhdp . After we become familiar with a series of such sequences of letters , we can successfully ...
... sequence of behavior consists of ten such ranges . An individual , then , may learn the sequence bdiwlcuent , or xmeoelsmxr , or sycielwhdp . After we become familiar with a series of such sequences of letters , we can successfully ...
Страница 51
... sequence of ten letters , and then encountering cleocne3ros , we may very well miss the intrusive number . This is why proofreading is so difficult , and doubly difficult for the author , who , knowing what comes next , tends to miss ...
... sequence of ten letters , and then encountering cleocne3ros , we may very well miss the intrusive number . This is why proofreading is so difficult , and doubly difficult for the author , who , knowing what comes next , tends to miss ...
Страница 72
... sequence of similar objects or fields which shows a greater rate of dynamism than other such sequences from the same culture . If , moreover , we find a series of sequences ranging from a low rate of dynamism to a high dynamic rate , we ...
... sequence of similar objects or fields which shows a greater rate of dynamism than other such sequences from the same culture . If , moreover , we find a series of sequences ranging from a low rate of dynamism to a high dynamic rate , we ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word