Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 11
... problem has emerged . To perceive and to identify a problem is the first step needed to overcome that sense of disorienta- tion and deprivation . The environment , for example , may present an ambiguous situation , one which appears to ...
... problem has emerged . To perceive and to identify a problem is the first step needed to overcome that sense of disorienta- tion and deprivation . The environment , for example , may present an ambiguous situation , one which appears to ...
Страница 79
... problem to be solved , but it is not his primary function . The problem in a game emerges in the form of an unpredicted situation which has been created by following certain rules and which must be first perceived and then solved by the ...
... problem to be solved , but it is not his primary function . The problem in a game emerges in the form of an unpredicted situation which has been created by following certain rules and which must be first perceived and then solved by the ...
Страница 96
... problem and not a behavioral or scientific problem at all . The fact is that if I show you a photograph of the Empire State Building and add that it is in New York City , you can find it readily enough . A portrait is the most obvious ...
... problem and not a behavioral or scientific problem at all . The fact is that if I show you a photograph of the Empire State Building and add that it is in New York City , you can find it readily enough . A portrait is the most obvious ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word