Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 76
... possible the re - categorization of the plane surface of chess as one of an infinite possibility of planes . It was then possible to think of and to deduce the rules for three - dimensional chess . Until this occurred , chess had been ...
... possible the re - categorization of the plane surface of chess as one of an infinite possibility of planes . It was then possible to think of and to deduce the rules for three - dimensional chess . Until this occurred , chess had been ...
Страница 77
... possible the re - categorization of the plane surface of chess as one of an infinite possibility of planes . It was then possible to think of and to deduce the rules for three - dimensional chess . Until this occurred , chess had been ...
... possible the re - categorization of the plane surface of chess as one of an infinite possibility of planes . It was then possible to think of and to deduce the rules for three - dimensional chess . Until this occurred , chess had been ...
Страница 132
... possible to understand it ? I think that signs of any kind function primarily by making prediction possible . The creation of arbitrary signs was , then , in essence an extension of predictive be- havior . It enabled man to talk about a ...
... possible to understand it ? I think that signs of any kind function primarily by making prediction possible . The creation of arbitrary signs was , then , in essence an extension of predictive be- havior . It enabled man to talk about a ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word