Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 126
... poem . You have stacks of fascinating information . Some of it , for all anyone can tell , may be highly pertinent . But your equipment for applying this information to the poem itself is crude and primitive almost beyond belief ...
... poem . You have stacks of fascinating information . Some of it , for all anyone can tell , may be highly pertinent . But your equipment for applying this information to the poem itself is crude and primitive almost beyond belief ...
Страница 138
... poetic perception . Having spent my life in the study of poetry , I find myself irresistibly triggered into the perceiver's role , even though I composed the passage by randomly striking the keys of a typewriter . Actually the poem is ...
... poetic perception . Having spent my life in the study of poetry , I find myself irresistibly triggered into the perceiver's role , even though I composed the passage by randomly striking the keys of a typewriter . Actually the poem is ...
Страница 205
... poem , The Testament of Beauty . Actually Bridges does not begin his lines with capital letters , and it was ... poem may be , in its stress and 1 An extraordinarily apt example of just this point appeared in the London Times Literary ...
... poem , The Testament of Beauty . Actually Bridges does not begin his lines with capital letters , and it was ... poem may be , in its stress and 1 An extraordinarily apt example of just this point appeared in the London Times Literary ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word