Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 19
... particular desire or set of values necessarily is symbolized in a particular kind of style , that the seventeenth - century will - to - power has a one - to - one relation with Baroque style . Since , as we have seen , an artistic style ...
... particular desire or set of values necessarily is symbolized in a particular kind of style , that the seventeenth - century will - to - power has a one - to - one relation with Baroque style . Since , as we have seen , an artistic style ...
Страница 24
... particular orientation will govern the individual's behavior in a particular category of situations . In this sense a stylistic feature is a ( predictive ) sign of an orientation . What happens in art history is that our familiarity ...
... particular orientation will govern the individual's behavior in a particular category of situations . In this sense a stylistic feature is a ( predictive ) sign of an orientation . What happens in art history is that our familiarity ...
Страница 90
... particular per- ceptual configuration the individual has conventionalized categoriza- tion , if only for himself . To perceive is to categorize a configuration by ascribing to it the attributes of a conventionalized perceptual category ...
... particular per- ceptual configuration the individual has conventionalized categoriza- tion , if only for himself . To perceive is to categorize a configuration by ascribing to it the attributes of a conventionalized perceptual category ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word