Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Резултати 1 - 3 от 75.
Страница 106
... metaphor , or rather , there would be no metaphors . When- ever a new category was established , a cultural convention would explicitly establish the sign , whether configurational or arbitrary , and both its attributes and range ...
... metaphor , or rather , there would be no metaphors . When- ever a new category was established , a cultural convention would explicitly establish the sign , whether configurational or arbitrary , and both its attributes and range ...
Страница 127
... metaphor can be dismissed briefly . Metaphor as an emergent category has already been discussed , and it has been pointed out that at some periods poetic metaphor is very common in poetry , and in some periods it is not . Further , at ...
... metaphor can be dismissed briefly . Metaphor as an emergent category has already been discussed , and it has been pointed out that at some periods poetic metaphor is very common in poetry , and in some periods it is not . Further , at ...
Страница 128
... metaphor rises like a tide . Just such a condition obtained in the early Romantic period , in which the poet was to be prophet - priest , the utterer of new and redemptive truths . Cultural prescriptions kept him from discursive ...
... metaphor rises like a tide . Just such a condition obtained in the early Romantic period , in which the poet was to be prophet - priest , the utterer of new and redemptive truths . Cultural prescriptions kept him from discursive ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word