Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 39
... merely assume it as unquestionable truth . I once heard a professional philosopher whose field of specialization is aesthetics , widely known and highly regarded , prate ( the word is not too strong ) about how the task of the critic is ...
... merely assume it as unquestionable truth . I once heard a professional philosopher whose field of specialization is aesthetics , widely known and highly regarded , prate ( the word is not too strong ) about how the task of the critic is ...
Страница 87
... merely a disposition to continue hearing the rustle ? If a stimulus - object from the " hearing - behavior " family rouses a disposition for the " pursuing- behavior " family , then the rustle is a sign . But if the rustle rouses the ...
... merely a disposition to continue hearing the rustle ? If a stimulus - object from the " hearing - behavior " family rouses a disposition for the " pursuing- behavior " family , then the rustle is a sign . But if the rustle rouses the ...
Страница 309
... merely talking about primary signs or configurational signs functioning as emblems of verbal signs . Actually the only explanation ever offered is " creativity , " but this is merely a sign for a category the range of which they are ...
... merely talking about primary signs or configurational signs functioning as emblems of verbal signs . Actually the only explanation ever offered is " creativity , " but this is merely a sign for a category the range of which they are ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word