Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 12
... matter . Some people are better at problem perception than others ; they can learn more readily the insufficiency of a given pattern and can more easily try a different one . This is not only a matter of intelligence but also of ...
... matter . Some people are better at problem perception than others ; they can learn more readily the insufficiency of a given pattern and can more easily try a different one . This is not only a matter of intelligence but also of ...
Страница 152
... matter , or , more precisely , the configurational categories used by the painter , varies independently from nonfunctional style ; so do primary signs , of which depth is one ; so do the conventions of iconicity ; so does the degree of ...
... matter , or , more precisely , the configurational categories used by the painter , varies independently from nonfunctional style ; so do primary signs , of which depth is one ; so do the conventions of iconicity ; so does the degree of ...
Страница 310
... matter and may be disposed of first . Artistic value is a minor matter in spite of the fact that most aesthe- ticians insist that it is the central matter of all , the problem on the solution of which any aesthetic theory must stand or ...
... matter and may be disposed of first . Artistic value is a minor matter in spite of the fact that most aesthe- ticians insist that it is the central matter of all , the problem on the solution of which any aesthetic theory must stand or ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word