Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
Между кориците на книгата
Резултати 1 - 3 от 32.
Страница 158
... light . Since there are no torch smudges , the light seems to have come from lamps made of shells and hollowed bits of stone filled with animal fat , with clumps of moss as wicks . Presumably only part of an animal could be seen at a ...
... light . Since there are no torch smudges , the light seems to have come from lamps made of shells and hollowed bits of stone filled with animal fat , with clumps of moss as wicks . Presumably only part of an animal could be seen at a ...
Страница 179
... Light and shadow are among the most powerful primary signs at the service of the builder . The lean - to was presumably the first build- ing , nor is there any particular reason to doubt that very early man could make tents out of ...
... Light and shadow are among the most powerful primary signs at the service of the builder . The lean - to was presumably the first build- ing , nor is there any particular reason to doubt that very early man could make tents out of ...
Страница 181
... light are now added the highly iconic two - dimensional signs of the animals , themselves possibly signs of adequacy and demand , as suggested above , early man could thus feel the otherness of the animals and oppose to them his own ...
... light are now added the highly iconic two - dimensional signs of the animals , themselves possibly signs of adequacy and demand , as suggested above , early man could thus feel the otherness of the animals and oppose to them his own ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
4 други раздела не са показани
Други издания - Преглед на всички
Често срещани думи и фрази
adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word