Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 244
... implied form more prominent than any other , and the general tendency is to look at the center of the painting first , then along the axes in the order of hierarchical prominence . The next tendency is to read the painting from left to ...
... implied form more prominent than any other , and the general tendency is to look at the center of the painting first , then along the axes in the order of hierarchical prominence . The next tendency is to read the painting from left to ...
Страница 246
... implied lines are joined at the base by an implied line slanting up to the right to the cupid , who occupies an implied 90 ° angle . Thus these three lines imply a vast slanting rec- tangle , the upper left area of which lies outside ...
... implied lines are joined at the base by an implied line slanting up to the right to the cupid , who occupies an implied 90 ° angle . Thus these three lines imply a vast slanting rec- tangle , the upper left area of which lies outside ...
Страница 249
... implied form of a cube or a projected rectangle . The exterior of the dome of the Pantheon , for example , implies a half sphere , but this implication is interrupted by the walls , which are a highly explicit drum interrupted by only a ...
... implied form of a cube or a projected rectangle . The exterior of the dome of the Pantheon , for example , implies a half sphere , but this implication is interrupted by the walls , which are a highly explicit drum interrupted by only a ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word