Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 200
... upon and derived from the perceiver's , its source must be found elsewhere than in the semantic aspect . The only other aspect is the formal . 1. THE PERCEPTION OF POETRY Rather than an attempt at 200 Art : The Formal Aspect.
... upon and derived from the perceiver's , its source must be found elsewhere than in the semantic aspect . The only other aspect is the formal . 1. THE PERCEPTION OF POETRY Rather than an attempt at 200 Art : The Formal Aspect.
Страница 219
... formal discontinuity , " or , ordinarily , merely " discontinuity , " the violation or frustration of the expectancies set up in the individual by the situational signs that it is appropriate for him to play the perceiver's role . This ...
... formal discontinuity , " or , ordinarily , merely " discontinuity , " the violation or frustration of the expectancies set up in the individual by the situational signs that it is appropriate for him to play the perceiver's role . This ...
Страница 237
... formal implicit expect- ancy for music in Bach's time , it was by no means the only one . The other sources lay in the individual forms , such as the fugue , the ricercare , the sonata , the concerto grosso , the fantasia , and so on ...
... formal implicit expect- ancy for music in Bach's time , it was by no means the only one . The other sources lay in the individual forms , such as the fugue , the ricercare , the sonata , the concerto grosso , the fantasia , and so on ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word